"Four Madrigals: IV. An Absent Friend" by Ned Rorem, St Martin's Voices, Andrew Earis had its release date on March 28, 2025. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Four Madrigals: IV. An Absent Friend's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Rorem: Choral Works". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. Four Madrigals: IV. An Absent Friend is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Four Madrigals: IV. An Absent Friend by Ned Rorem, St Martin's Voices, Andrew Earis having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quatuor pour la fin du Temps: II. Vocalise, pour l’Ange qui annonce la fin du Temps | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | D♭ Major | 1 | 3B | 139 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Three Bach Transcriptions: Chorale "Agnus Dei" from Mass in B Minor | Johann Sebastian Bach, Simone Dinnerstein | C Major | 0 | 8B | 138 BPM | ||
| Down By The Salley Gardens | Rebecca Clarke, Sivan Goldman, Shira Shaked | C Major | 1 | 8B | 87 BPM | ||
| Caplet: Quintet for Piano & Winds, Op. 8: II. Adagio | André Caplet, Les Vents Français | F♯ Minor | 1 | 11A | 131 BPM | ||
| Violin Sonata in A Minor: III. Minuetto | Sergei Taneyev, Boris Brovtsyn, Eldar Nebolsin | C Major | 0 | 8B | 58 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Requiem, Op. 9 (1961 version): Introit | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | F Major | 1 | 7B | 104 BPM | ||
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | ||
| Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.1 in C major: Fugue | Dmitri Shostakovich, Vladimir Ashkenazy | A Minor | 0 | 8A | 92 BPM | ||
| Piano Concerto No. 2: III. Real Fast! | Simon Mulligan, Royal Scottish National Orchestra, Joee, Ned Rorem | D Minor | 0 | 7A | 85 BPM | ||
| String Sextet in B-Flat Major, Op. 18: II. Andante, ma moderato | Johannes Brahms, Leipziger Streichquartett, Hartmut Rohde, Michael Sanderling | C Major | 1 | 8B | 178 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| Deux novellettes, FP 47: 1. C major - Modéré sans lenteur | Francis Poulenc, Pascal Rogé | A Minor | 0 | 8A | 70 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | D♭ Major | 1 | 3B | 139 BPM | ||
| Miroirs, M. 43: No. 3, Une barque sur l'ocean (Version for Orchestra) | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | A Major | 0 | 11B | 134 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Choral Hymns from the Rig Veda, 3rd Group, Op. 26: 1. Hymn to the Dawn (arr. J. Lloyd Webber for 4 cellos and harp) | Gustav Holst, Julian Lloyd Webber, Jiaxin Lloyd Webber, Guy Johnston, Laura van der Heijden, Catrin Finch | G Major | 1 | 9B | 85 BPM | ||
| 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM | ||
| Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | A Minor | 0 | 8A | 65 BPM | ||
| Rorem : Santa Fe Songs : IV Sonnet | Ned Rorem, Susan Graham, Ensemble Oriol | C Minor | 1 | 5A | 89 BPM | ||
| Ravel: 2 Mélodies hébraïques, M. A 22: No. 1, Kaddish (Transcr. Siloti for Piano) | Maurice Ravel, Bertrand Chamayou | C Minor | 0 | 5A | 133 BPM | ||
| II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 128 BPM | ||
| Berceuse sur le nom de Gabriel Fauré, M. 74 | Maurice Ravel, Cédric Tiberghien, Alina Ibragimova | C Major | 0 | 8B | 187 BPM |