"in E-Dur op.22: II. Tempo Di Waltz: Serenade For Strings" by Rheinische Philharmonie, Pro Arte Orchestra München, Paul Redinowski had its release date on January 2, 1990. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Symphony From The New World; Serenade For Strings (Symphonie Nr.9 Aus der Neuen Welt; Streicher - Serenade". In this album, this song's track order is #6. The popularity of in E-Dur op.22: II. Tempo Di Waltz: Serenade For Strings is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With in E-Dur op.22: II. Tempo Di Waltz: Serenade For Strings by Rheinische Philharmonie, Pro Arte Orchestra München, Paul Redinowski having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il barbiere di Siviglia (The Barber of Seville): Sinfonia | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | E Major | 1 | 12B | 100 BPM | ||
| Concert Grosso for String Orchestra "Palladio": Allegretto | Karl Jenkins, Ara Malikian | D Minor | 4 | 7A | 88 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse | Antonín Dvořák, Orpheus Chamber Orchestra | A Major | 0 | 11B | 85 BPM | ||
| The Swings Of Central Park | Alexandre Desplat, Jean-Yves Thibaudet | F Major | 1 | 7B | 76 BPM | ||
| Berlin By Overnight | Max Richter, Louisa Fuller | F♯ Major | 3 | 2B | 92 BPM | ||
| Waltz from Maskarade | Radio Orchestra Berlin | C Major | 5 | 8B | 97 BPM | ||
| Piano Trio No. 2 in E-flat Major, D.929, Op. 100: II. Andante con moto | Franz Schubert, Sonia Wieder-Atherton, Raphaël Oleg, Imogen Cooper | B♭ Major | 5 | 6B | 180 BPM | ||
| Chinesin, Spanierin | Josef Bayer, Peter Falk, Rheinische Philharmonie | G Major | 1 | 9B | 98 BPM | ||
| Prelude No.4 Op.28 E Minor | Sylvia Capova | F Major | 0 | 7B | 130 BPM | ||
| Violin Concerto in G Minor, RV 315 ("Summer" from "The Four Seasons"): III. Presto. Tempo impettuoso d'estate | Antonio Vivaldi, Stuttgart Chamber Orchestra, Martin Sieghart, Rainer Kussmaul | C Minor | 3 | 5A | 151 BPM | ||
| Chopin: Nocturnes (쇼팽: 녹턴 Op.9 No.2) | 김준영 | F Major | 1 | 7B | 70 BPM | ||
| Concerto in G minor, Op. 8 No. 2, RV 315 "L'estate": III. Presto | Alexander Titov, Vladislav Gluz | B Major | 3 | 1B | 131 BPM | ||
| Aus der Feuerwerksmusik: Die Erfrischung | Philharmonisches Orchester, Paul Redinowski | D Major | 2 | 10B | 94 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
| Fantasia on Greensleeves | Traditional, Ralph Vaughan Williams, Britten Sinfonia, Nicholas Cleobury | C Minor | 1 | 5A | 87 BPM | ||
| Le Carnaval des Animaux, R. 125: Akvarium | Camille Saint-Saëns, Pittsburgh Symphony Orchestra, André Previn | A Minor | 0 | 8A | 82 BPM | ||
| Act 1: Mir erkoren, mir verloren: Tristan und Isolde | Symphonieorchester Innsbruck, Mina Bolotine, Maura Moreira, Paul Redinowski, Lorenz Fehenberger | B Major | 2 | 1B | 152 BPM | ||
| Suite bergamasque, L.75: 3. Clair de lune | Claude Debussy, Anatol Ugorski | D♭ Major | 0 | 3B | 65 BPM | ||
| in E-Dur op. 22: IV. Larghetto: Serenade For Strings | Rheinische Philharmonie, Pro Arte Orchestra München, Paul Redinowski | A Major | 2 | 11B | 90 BPM | ||
| Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Alexei Sultanov, Maxim Shostakovich, London Symphony Orchestra | E Minor | 1 | 9A | 81 BPM | ||
| Fratres for Cello and Piano | Arvo Pärt, Tibor Parkanyi, Tamás Benedek | B Minor | 0 | 10A | 70 BPM | ||
| Light Moving | David Lang, Hilary Hahn, Cory Smythe | E Minor | 1 | 9A | 102 BPM | ||
| Op.30, Prelude: Thus Spoke Zarathustra (Also Sprach Zarathustra) | Pretoria Philharmonia Orchestra, Paul Redinowski | A♭ Major | 3 | 4B | 98 BPM | ||
| Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | D Major | 0 | 10B | 137 BPM | ||
| in B-Dur, D 485: Allegro: Symphony No.5 | Philharmonia Hungarica, Paul Redinowski | B♭ Major | 1 | 6B | 103 BPM |