"The Aftermath (From "The Musketeers Series Two")" by Paul Englishby had its release date on July 1, 2016. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "The Musketeers - Series 2 & 3 (Original Television Soundtrack)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. The Aftermath (From "The Musketeers Series Two") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Aftermath (From "The Musketeers Series Two") by Paul Englishby having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fairground | Joby Talbot | D♭ Minor | 2 | 12A | 94 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| Keepsake | Randy Edelman | F Major | 0 | 7B | 139 BPM | ||
| Pride and Prejudice Suite: II. Canon Collins and Lady Catherine de Bourgh | Carl Davis, Philharmonia Orchestra | C Minor | 1 | 5A | 68 BPM | ||
| The Deer | William Ross | B Minor | 2 | 10A | 92 BPM | ||
| Walking On Water | George Fenton | B♭ Major | 0 | 6B | 79 BPM | ||
| Series Two Finale | Paul Englishby | C Minor | 1 | 5A | 79 BPM | ||
| Stirring The Pot | Randy Edelman | C Major | 7 | 8B | 100 BPM | ||
| Addicted to a Certain Lifestyle | David Arnold, Michael Price | A Minor | 1 | 8A | 63 BPM | ||
| We Will Be Memories | Maurizio Malagnini | C Major | 2 | 8B | 76 BPM | ||
| Returning to the Hundred Acre Wood | Geoff Zanelli, Jon Brion | A Minor | 0 | 8A | 140 BPM | ||
| I'm Just George | Kris Bowers | F Major | 0 | 7B | 82 BPM | ||
| Brideshead Revisited: No. 21, The End of Our Day | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E♭ Major | 0 | 5B | 114 BPM | ||
| Bisceglia: Concerto for Trumpet and Orchestra: in None: II. Largo con alcun animato | Michelino Bisceglia, Benny Wiame, Hungarian Studio Orchestra | G Major | 1 | 9B | 111 BPM | ||
| Recovery | Nigel Westlake | B Minor | 1 | 10A | 77 BPM | ||
| A Dangerous Path | The Chamber Orchestra Of London | G Minor | 2 | 6A | 80 BPM | ||
| Trunk Greeting | Alex Heffes | E♭ Major | 0 | 5B | 51 BPM | ||
| Don't Ask Me | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| We Better Get Inside | Geoff Zanelli | D Major | 1 | 10B | 112 BPM | ||
| The Orange Tree | Philip Glass | G Minor | 2 | 6A | 105 BPM | ||
| Ray of Sunshine | Torin Borrowdale | E♭ Major | 0 | 5B | 92 BPM | ||
| Leave Taking | Stephen Warbeck | G Minor | 0 | 6A | 135 BPM | ||
| The Origins of Time | Jóhann Jóhannsson | C Major | 0 | 8B | 75 BPM | ||
| Such Good Luck - From “Downton Abbey” Soundtrack | John Lunn, The Chamber Orchestra Of London | G Major | 2 | 9B | 73 BPM | ||
| Elizabeth's Portrait | Max Richter | E Minor | 2 | 9A | 137 BPM |