Ruth Gipps, Juliana Koch, Michael McHale's ' "Sea-Shore Suite, Op. 3b: I. Gulls" was released on its scheduled release date, August 16, 2024. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ruth Gipps, Juliana Koch, Michael McHale, Julian Bliss's "Gipps: Piper of Dreams" album is number 8 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Sea-Shore Suite, Op. 3b: I. Gulls is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Sea-Shore Suite, Op. 3b: I. Gulls by Ruth Gipps, Juliana Koch, Michael McHale to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 1, GMW 11: IIId. Wieder etwas bewegter, wie im Anfang | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 1 | 11B | 81 BPM | ||
| Quiet City | Aaron Copland, Celia Nicklin, Michael Laird, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 70 BPM | ||
| Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
| Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | ||
| Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 1 | 9A | 76 BPM | ||
| When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 83 BPM | ||
| Saeterjentens Sondag | Johan Svendsen, Neeme Järvi, Bergen Philharmonic Orchestra, Melina Mandozzi | D Major | 0 | 10B | 95 BPM | ||
| Rakastava, Op. 14: The Lover | Jean Sibelius, Sir Colin Davis | F Major | 1 | 7B | 69 BPM | ||
| Momentum: Intermezzo | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| Delius: On Hearing the First Cuckoo in Spring | Frederick Delius, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 81 BPM | ||
| Sheep May Safely Graze from Cantata No. 208 (Arr. Leopold Stokowski) | Johann Sebastian Bach, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 64 BPM | ||
| Le Tombeau de Couperin, M. 68: I. Prélude (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | C Major | 1 | 8B | 174 BPM | ||
| A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | A Minor | 1 | 8A | 138 BPM | ||
| Montgomery Variations: Montgomery Variations: I. Decision | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 1 | 7A | 82 BPM | ||
| Gaspard de la nuit: I. Ondine (arr. M. Constant for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | D♭ Major | 0 | 3B | 115 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Scenes de la foret, Op. 123: No. 1, Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | A♭ Major | 0 | 4B | 60 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": II. Poco allegretto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 0 | 8B | 77 BPM | ||
| Irish Lament | Ernest John Moeran, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 131 BPM | ||
| 2 Pieces for Small Orchestra, RT VI/19: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, John Rutter, Manchester Camerata | E Minor | 1 | 9A | 80 BPM | ||
| Two Melodies, Op. 53, for string Orchestra: Det første møte (First Encounter). Lento | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | D Minor | 0 | 7A | 100 BPM | ||
| Sussex Landscape: II. Lento e molto tranquillo | Avril Coleridge-Taylor, BBC Philharmonic Orchestra, John Andrews | B♭ Major | 0 | 6B | 74 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM |