- BPM
- 135
- Key
- B♭ Minor
- Camelot
- 3A
Intelligence, Act Two: The Slave Auction by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, J'nai Bridges Song Details
Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, J'nai Bridges's 'Intelligence, Act Two: The Slave Auction' had a release date set for August 29, 2025. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, J'nai Bridges's "Jake Heggie: Intelligence" album is number 10 out of 25. Based on our statistics, Intelligence, Act Two: The Slave Auction's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Intelligence, Act Two: The Slave Auction by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, J'nai Bridges to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
Music Key
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -16.902 dB
- Acousticness
- 92%
- Danceability
- 39%
- Energy
- 37%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 72%
- Speechiness
- 20%
- Valence
- 21%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pelléas et Mélisande, CD 93, Act II: Vous ne savez pas où je vous ai menée | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | |
 | Korngold: Die tote Stadt, Op. 12, Act 2: "Mein Sehnen, mein Wähnen" (Fritz) | Erich Wolfgang Korngold, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen | D♭ Major | 1 | 3B | 90 BPM | |
 | It's a Wonderful Life, Act I: Goodbye Bedford Falls | Jake Heggie, Houston Grand Opera Orchestra, Patrick Summers, Talise Trevigne, Joshua Hopkins, William Burden, Frankie Hickman | E♭ Major | 6 | 5B | 169 BPM | |
 | The Dream of Gerontius, Op. 38, Pt.1: I can no more | Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | D♭ Minor | 1 | 12A | 169 BPM | |
 | Peter Grimes, Op.33 / Act 1: "Look, the Storm Cone!" | Benjamin Britten, James Pease, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 4 | 6B | 91 BPM | |
| The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | B♭ Major | 2 | 6B | 48 BPM | |
 | Britten: Paul Bunyan, Op. 17, Act II, Scene 2: The Christmas Party. "Another slice of turkey" (Chorus, Fido, Moppet, Poppet, Inkslinger, Tiny, Slim, Hel, Shears, Western Union Boy) | Benjamin Britten, Philip Brunelle, Clifton Ware, Dan Dressen, Elisabeth Comeaux, James Bohn, James McKeel, James Westbrock, Janis Hardy, Maria Jette, Sue Herber, Orchestra Of The Plymouth Music Series | D Major | 1 | 10B | 128 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 2) Introduction and Scene. "Nu, zaboltalas ya!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | D♭ Minor | 1 | 12A | 76 BPM | |
 | Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | |
 | Gloria, FP 177: III. Domine Deus | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge, Susan Gritton | C Minor | 2 | 5A | 128 BPM | |
 | Die Fledermaus, Act I: Terzett. So muss allein ich bleiben (Rosalinde, Adele, Eisenstein) | Johann Strauss II, Friedrich Haider, Paul Armin Edelmann, Aga Mikolaj, Chen Reiss, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | |
 | Hai luli | Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung | G Minor | 1 | 6A | 100 BPM | |
 | Copland: Old American Songs, Set 2: No. 1, The Little Horses | Aaron Copland, Jennifer Larmore, Antoine Palloc | A♭ Major | 2 | 4B | 81 BPM | |
| Duparc: Chanson triste | Henri Duparc, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen | E♭ Major | 0 | 5B | 100 BPM | |
 | Three Decembers: Act I: Duet - Maddy & Bea: "In the months, in the years ahead?" | Jake Heggie, Gene Scheer, Jake Hegge; Gene Scheer, Houston Grand Opera, Patrick Summers | B♭ Major | 1 | 6B | 85 BPM | |
 | Viens, mon bien-aimé | Cécile Chaminade, Sivan Goldman, Shira Shaked | G Major | 1 | 9B | 168 BPM | |
 | Intelligence, Act One: Elizabeth Aria. Look me in the eye | Jake Heggie, Houston Grand Opera, Kwamé Ryan, Jamie Barton | D♭ Major | 1 | 3B | 71 BPM | |
 | Der Rosenkavalier, Op. 59 / Act 2: "Mir ist die Ehre widerfahren" | Richard Strauss, Barbara Bonney, Susan Graham, Wiener Philharmoniker, Christoph Eschenbach | F♯ Major | 1 | 2B | 78 BPM | |
 | Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | |
 | Natural Selection: Animal Passion | Jake Heggie | A Minor | 2 | 8A | 82 BPM | |
 | Bellini: I puritani: "Credeasi, misera, da me tradita" (Arturo, Elvira, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D♭ Major | 3 | 3B | 181 BPM | |
 | Stabat Mater, FP 148: X Fac ut portem | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | D♭ Minor | 1 | 12A | 76 BPM | |
 | Radamisto, HWV 12: Ombra cara - Arr. for Voice & Piano | George Frideric Handel, Théophile Alexandre, Guillaume Vincent | D Minor | 1 | 7A | 71 BPM | |
| Intelligence, Act Two: My momma's eyes | Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, J'nai Bridges | F Minor | 3 | 4A | 96 BPM | |
 | 5 Lieder, Op. 1: No. 1, Stumme Liebe | Hans Sommer, Constance Heller, Gerold Huber | D♭ Major | 1 | 3B | 72 BPM |
- ISRC
- QT4NB2500124
- Label
- L-M Records/RCA Records