- BPM
- 82
- Key
- A Minor
- Camelot
- 8A
Natural Selection: Animal Passion by Jake Heggie Song Details
"Natural Selection: Animal Passion" by Jake Heggie had its release date on September 1, 1999. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "The Faces Of Love: The Songs of Jake Heggie". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Natural Selection: Animal Passion is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Natural Selection: Animal Passion by Jake Heggie having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -14.464 dB
- Acousticness
- 99%
- Danceability
- 40%
- Energy
- 21%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 76%
- Speechiness
- 7%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Natural Selection: Alas! Alack! | Jake Heggie | A Major | 1 | 11B | 91 BPM | |
 | Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | |
 | La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | |
 | Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | F Major | 2 | 7B | 97 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | |
 | Petite messe solennelle: Sanctus | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | C Major | 1 | 8B | 71 BPM | |
 | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Er überwächst uns schon | Gustav Mahler, Izabella Kłosińska, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | |
 | Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 2: "My soul is sad" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Anatoly Kotcherga | G Minor | 0 | 6A | 89 BPM | |
| Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | |
 | Elektra, Op. 58: "Wo bleibt Elektra?" | Richard Strauss, Annette Jahns, Gabriele Sima, Elisabeth Wilke, Anne Schwanewilms, Katerina Beranova, Helga Termer, Wiener Philharmoniker, Giuseppe Sinopoli | F Minor | 3 | 4A | 93 BPM | |
 | The Dream of Gerontius, Op. 38, Pt. 2: VII. It Is a Member of That Family | Edward Elgar, Karen Cargill, David Butt Philip, The Orchestra Of Opera North, Martyn Brabbins | F Major | 2 | 7B | 97 BPM | |
 | Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | |
 | 15 Neue Liebeslieder Op. 65: II. Finstere Schatten der Nacht (Persisch) | Johannes Brahms, Barbara Bonney | F Major | 1 | 7B | 85 BPM | |
 | Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Francesco Toma, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 150 BPM | |
 | Candide, Act I: Glitter and Be Gay | Leonard Bernstein, Simone Kermes, Warsaw Chamber Opera Orchestra, Julien Salemkour | F Major | 2 | 7B | 97 BPM | |
 | Liszt: 3 Sonetti di Petrarca, S. 270: III. "I' vidi in terra angelici costumi" | Franz Liszt, Diana Damrau/Helmut Deutsch | A♭ Major | 0 | 4B | 66 BPM | |
 | Der Rosenkavalier, Op. 59 / Act 1: "Da geht er hin, der aufgeblasene schlechte Kerl" | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F Major | 1 | 7B | 81 BPM | |
 | The Dream of Gerontius, Op. 38, Pt.2: I went to sleep | Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 174 BPM | |
 | Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | F Major | 2 | 7B | 97 BPM | |
 | Les Berceaux, Op. 23 No. 1 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | |
 | La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | |
 | Two Sacred Songs (Hugo Wolf): No. 2, Wunden trägst du mein Geliebter | Igor Stravinsky, Noord Nederlands Orkest, Daniel Reuss, Marianne Beate Kielland | F Major | 2 | 7B | 97 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | |
 | Wagner: Lohengrin, Act 2: "Mein Held! Entgegne kühn dem Ungetreuen!" (Heinrich, Lohengrin, Friedrich, Elsa, Chor) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Staatskapelle Berlin | C Minor | 0 | 5A | 64 BPM | |
 | Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM |
- ISRC
- USBC19900519
- Label
- L-M Records/RCA Records