- BPM
- 91
- Key
- A Major
- Camelot
- 11B
Natural Selection: Alas! Alack! by Jake Heggie Song Details
"Natural Selection: Alas! Alack!" by Jake Heggie had its release date on September 1, 1999. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Natural Selection: Alas! Alack!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Faces Of Love: The Songs of Jake Heggie". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, Natural Selection: Alas! Alack! is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Natural Selection: Alas! Alack! by Jake Heggie having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -17.449 dB
- Acousticness
- 99%
- Danceability
- 41%
- Energy
- 14%
- Instrumentalness
- 13%
- Liveness
- 17%
- Loudness
- 71%
- Speechiness
- 6%
- Valence
- 13%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): II. Le spectre de la rose | Hector Berlioz, Benjamin Bernheim, Carrie-Ann Matheson | B♭ Major | 1 | 6B | 78 BPM | |
 | Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | |
 | Oh! quand je dors, S. 282 (2nd Version) | Franz Liszt, Samuel Mariño, Jonathan Ware | E Major | 0 | 12B | 125 BPM | |
 | Donizetti: Il fiore “Qui dove mercè negasti all’amor” | Gaetano Donizetti, Sarah Dufresne, Carlo Rizzi | F Major | 1 | 7B | 179 BPM | |
 | Camille Claudel, Into the Fire: V. The Gossips | Jake Heggie, Joyce DiDonato, Alexander String Quartet | F Minor | 1 | 4A | 93 BPM | |
 | Il fervido desiderio | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 69 BPM | |
 | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: II. Imple superna gratia - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | A♭ Major | 3 | 4B | 96 BPM | |
 | Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | |
 | Zueignung, Op. 10, No. 1 | Richard Strauss, Jonas Kaufmann, Helmut Deutsch | C Major | 3 | 8B | 72 BPM | |
 | Pelléas et Mélisande, CD 93, Act II: Vous ne savez pas où je vous ai menée | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | |
 | Aquí no hay nadie (extracto) | Classical Laguna Experience Orchestra, Gabriela Ortiz, Carmen Acosta, Ludwig Carrasco | C Major | 2 | 8B | 80 BPM | |
 | Intelligence, Act Two: Callie/Travis Duet. Traitors | Jake Heggie, Houston Grand Opera, Kwamé Ryan, Caitlin Lynch, Michael Mayes | D♭ Major | 5 | 3B | 80 BPM | |
 | Newer Every Day: Songs for Kiri: 1. Silence | Ann Moss, Jake Heggie | E Major | 2 | 12B | 174 BPM | |
 | Rossini: Petite messe solennelle, Part 2: Credo - XIV. Agnus Dei (Contralto, Chorus) | Gioachino Rossini, Antonio Pappano, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Minor | 0 | 8A | 76 BPM | |
 | Alessandro, HWV 21: Sarò qual vento - Arr. for Voice & Piano | George Frideric Handel, Théophile Alexandre, Guillaume Vincent | F♯ Minor | 3 | 11A | 144 BPM | |
 | Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Amo | Beloxxy | A♭ Major | 1 | 4B | 97 BPM | |
 | Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | F Major | 1 | 7B | 78 BPM | |
 | Korngold: 6 Einfache Lieder, Op. 9: No. 1, Schneeglöckchen | Erich Wolfgang Korngold, Barbara Hendricks, Franz Welser-Möst, Philadelphia Orchestra | F♯ Minor | 2 | 11A | 66 BPM | |
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
| Pieces of 9/11, Memories from Houston: I. Prelude. Lauren | Jake Heggie, Talise Trevigne, Nathan Gunn, Ekaterina Gorlova, Dawn Walker, Dawn Harms, Marc Teicholz, Emil Miland | G Major | 1 | 9B | 169 BPM | |
 | Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | E♭ Major | 0 | 5B | 173 BPM | |
 | Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 2) Introduction and Scene. "Nu, zaboltalas ya!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | D♭ Minor | 1 | 12A | 76 BPM | |
 | The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | B♭ Major | 2 | 6B | 48 BPM |
- ISRC
- USBC19900520
- Label
- L-M Records/RCA Records