"Intelligence, Act Two: My momma's eyes" by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, J'nai Bridges had its release date on August 29, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, J'nai Bridges's "Jake Heggie: Intelligence" album is number 11 out of 25. In terms of popularity, Intelligence, Act Two: My momma's eyes is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Intelligence, Act Two: My momma's eyes by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, J'nai Bridges to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marx: Italienisches Liederbuch: No. 17, Venetianisches Wiegenlied | Joseph Marx, Katarina Karnéus, Roger Vignoles | D♭ Major | 1 | 3B | 131 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Sleep | Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM | ||
| Cilea: L'arlesiana, Act 2: "Ah! Vieni con me sui monti" (Baldassarre, Federico) | Francesco Cilea, Charles Rosekrans, Barry Anderson, Péter Kelen, Hungarian State Orchestra | B Major | 0 | 1B | 82 BPM | ||
| La Bohème, Act II: Quando me’n vo’ | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
| Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM | ||
| Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | ||
| Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): II. Le spectre de la rose | Hector Berlioz, Benjamin Bernheim, Carrie-Ann Matheson | B♭ Major | 1 | 6B | 78 BPM | ||
| Intelligence, Act One: Ensemble. What's gonna happen now? | Jake Heggie, Houston Grand Opera, Kwamé Ryan, Jamie Barton, J'nai Bridges, Caitlin Lynch, Michael Mayes, Joshua Blue | F Minor | 3 | 4A | 96 BPM | ||
| Songs for Murdered Sisters: No. 6, Lost | Jake Heggie, Joshua Hopkins | F♯ Major | 3 | 2B | 57 BPM | ||
| Suor Angelica: Ave Maria, piena di gratia | Giacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 0 | 7B | 106 BPM | ||
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 10, Proficiscere, anima Christiana (The Priest) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, James Platt | D Major | 2 | 10B | 86 BPM | ||
| Camille Claudel, Into the Fire: IV. La Petite Châtelaine | Jake Heggie, Joyce DiDonato, Alexander String Quartet | E♭ Major | 0 | 5B | 129 BPM | ||
| Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Bellini: I puritani: "Vien, diletto, è in ciel la luna" (Elvira, Riccardo, Giorgio) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Eve-Song: Listen | Jake Heggie | D Minor | 1 | 7A | 132 BPM | ||
| Amo | Beloxxy | A♭ Major | 1 | 4B | 97 BPM | ||
| For a Look or a Touch: III. A Hundred Thousand Stars (Song Cycle Version) | Jake Heggie, Morgan Smith, Music of Remembrance, Mina Miller | B♭ Major | 0 | 6B | 102 BPM | ||
| Mai, Op. 1 No. 2 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | ||
| It's a Wonderful Life, Act I: George Bailey's Childhood | Jake Heggie, Houston Grand Opera Orchestra, Patrick Summers, Talise Trevigne, D'Ana Lombard, Zoie Reams, Yongzhao Yu, Ben Edquist | C Major | 2 | 8B | 131 BPM | ||
| Intelligence, Act One: Scene 3, What did I marry into? | Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, Caitlin Lynch, Michael Mayes, Joshua Blue | F Minor | 3 | 4A | 105 BPM | ||
| Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Wojciech Drabowicz, Mikhail Krutikov, Liliana Nichiteanu, Valentina Valente, Eugenia Gorochovskaya, Philip Langridge, Albert Shagidullin, Samuel Ramey, Sergej Larin, Marjana Lipovek, Helmut Wildhaber, Gleb Nikolsky, Elena Zaremba, Alexander Fedin, Tölz Boys' Choir | B Major | 2 | 1B | 85 BPM | ||
| Adams: Nixon in China: Act I, Scene 3 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Minor | 1 | 7A | 168 BPM | ||
| Intelligence, Act One: Wilson Aria. Why risk everything for this? | Jake Heggie, Houston Grand Opera, Kwamé Ryan, Jamie Barton, Joshua Blue | A♭ Minor | 3 | 1A | 81 BPM |