Rashmi Nagendra, Amrutha's ' "Namana Nimage" was released on its scheduled release date, August 1, 2014. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Shiradivasi Neenayya". In this album, this song's track order is #10. Furthermore, we believe that the track originated from India. The popularity of Namana Nimage is currently unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Namana Nimage by Rashmi Nagendra, Amrutha having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Om Shiradi Sai | Shyamala Raju, Rashmi Nagendra, Amrutha | G Major | 6 | 9B | 92 BPM | ||
| Yaramma Navilanneri Bandavan | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Paadana | Nihal, R. P. Patnaik | C Minor | 9 | 5A | 98 BPM | ||
| Thingalu Mulugidavu | Appegere Thimmaraju, K.S. Surekha, Chandrika Gururaj | F Major | 5 | 7B | 80 BPM | ||
| Jaya Jaya Ganesa | Pukazhenthi, Samavadam Shanmuga Sharma, S. P. Balasubrahmanyam | D Major | 4 | 10B | 120 BPM | ||
| Hare Venkata | Puttur Narasimha Nayak | A♭ Major | 6 | 4B | 94 BPM | ||
| Nadedu Barayya | Anantha Kulkarni | D♭ Major | 7 | 3B | 128 BPM | ||
| Cheluvi Cheluvi Yendu | Shamita Malnad | B Major | 3 | 1B | 149 BPM | ||
| Anegudde Kumbhasi | Shashidhar Kote, K.S. Surekha | F♯ Major | 6 | 2B | 169 BPM | ||
| Intha Gurugla Kaane | Anantha Kulkarni | B♭ Major | 5 | 6B | 100 BPM | ||
| Yelonji Prayadu | Vidyabhushana | F Major | 5 | 7B | 162 BPM | ||
| Yentha Srimantha | Vijay Krishna. D | D♭ Major | 9 | 3B | 100 BPM | ||
| Ee Varusha Nanna Maduvi | Basavaraj Narendra, B. R. Chaya | D Major | 7 | 10B | 90 BPM | ||
| Sri Nama Ramayanam | S. P. Balasubrahmanyam | A Minor | 6 | 8A | 93 BPM | ||
| Ardhanareeshwara Stothram | Ramu | C Major | 5 | 8B | 105 BPM | ||
| Shivanu Bhikshege Banda | K. S. Chithra | E Minor | 4 | 9A | 133 BPM | ||
| Ganapathi Stuti | Raghavendra Acharya Jansale | B♭ Minor | 3 | 3A | 104 BPM | ||
| Yekanthadolu Kootu | C. Ashwath | A Major | 4 | 11B | 140 BPM | ||
| Bolo Bolo | Vikram Hazra | D Minor | 4 | 7A | 98 BPM | ||
| Sada Enna Hrudayadalli | Narashima Naik, Purandara Dasaru | D Major | 9 | 10B | 96 BPM | ||
| He Swadara Mava | Shabbir Dange, Surekha | B♭ Minor | 5 | 3A | 101 BPM | ||
| Namana Nimage | Rashmi Nagendra, Amrutha | F♯ Major | 7 | 2B | 165 BPM | ||
| Mangalya Mangalya | K. S. Chithra | A Minor | 4 | 8A | 140 BPM | ||
| Tapta Kaanchana Sankaasham | Vidyabhushana, H. L. Sheshachandra | B♭ Minor | 4 | 3A | 128 BPM | ||
| Arasina Kumkuma | Rithish Padmanabhan, Usha, Hamsalekha, Soundarya, Jayaprada, Saikumar, Prema | B Major | 6 | 1B | 97 BPM |