In Flanders Fields by Jan Järvlepp, London Voices, Ben Parry, Members Of The London Symphony Orchestra Song Details

"In Flanders Fields" by Jan Järvlepp, London Voices, Ben Parry, Members Of The London Symphony Orchestra had its release date on December 12, 2025. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jan Järvlepp, London Voices, Ben Parry, Members Of The London Symphony Orchestra's "Jan Järvlepp: In Flanders Fields, Earth Song & The Lord's Prayer" album is number 1 out of 3. On top of that, United States appears to be the country where this track was created. In Flanders Fields is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of In Flanders Fields by Jan Järvlepp, London Voices, Ben Parry, Members Of The London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -16.691 dB
Acousticness: 91%
Danceability: 11%
Energy: 25%
Instrumentalness: 0%
Liveness: 11%
Loudness: 72%
Speechiness: 4%
Valence: 16%

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