"Hungarian Dance (Czardas)" by Various World Reknowed Orchestras And Conductors had its release date on January 1, 2006. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Hungarian Dance (Czardas)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Hungarian Dance (Czardas) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hungarian Dance (Czardas) by Various World Reknowed Orchestras And Conductors is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dans les bois, Polka-mazurka, Op. 119 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 115 BPM | ||
| Deborah Polka-Mazurka (1857) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Minor | 2 | 9A | 134 BPM | ||
| Moskva, Cheryomushki (Moscow, Cheryomushki) Suite, Op. 105: II. Waltz [arr. A. Cornall for orchestra] | Dmitri Shostakovich, Rundfunk-Sinfonieorchester Berlin, Steven Sloane | F Major | 4 | 7B | 145 BPM | ||
| Vienna Blood Waltz, Op. 354 | Johann Strauss II, Leonard Bernstein | C Major | 2 | 8B | 110 BPM | ||
| Suite in A Major, Op. 98b, B. 190 "American": V. Allegro | Antonín Dvořák, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Minor | 0 | 8A | 67 BPM | ||
| A Princess To Be | Magic Philharmonic Orchestra | A Major | 0 | 11B | 93 BPM | ||
| William Tell Overture | Various World Reknowed Orchestras And Conductors | E Major | 4 | 12B | 149 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16b, Pas de deux de Fanny Elssler. Girl's Solo | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | B♭ Major | 0 | 6B | 186 BPM | ||
| Swan Lake | Various World Reknowed Orchestras And Conductors | F Minor | 3 | 4A | 81 BPM | ||
| Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | ||
| Elizabethan Serenade | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 149 BPM | ||
| Gold und Silber, Op. 79: Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | F Major | 0 | 7B | 81 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 1, Introduction - No. 2, Dance of the Cock and Hens | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 115 BPM | ||
| Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
| Overture To The Nutcracker | Various World Reknowed Orchestras And Conductors | B♭ Major | 2 | 6B | 120 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Utah Symphony Orchestra, Maurice Abravanel | E Major | 0 | 12B | 73 BPM | ||
| A la música | Juan Pablo Fernández Ramos | C Major | 0 | 8B | 77 BPM | ||
| Snow White: III. Evil Queen’s Promenade | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | C Major | 2 | 8B | 103 BPM | ||
| Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
| Camptown Races | Various World Reknowed Orchestras And Conductors | E Major | 4 | 12B | 113 BPM | ||
| Dreams | Magic Philharmonic Orchestra | G Major | 1 | 9B | 122 BPM | ||
| Scènes de ballet, Op. 52: Marionettes | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 0 | 10B | 109 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 0 | 10B | 115 BPM | ||
| My Own Lover | Ria Mbanefo | B♭ Major | 3 | 6B | 83 BPM |