"Litany: I. Adagio" by Toru Takemitsu, Lukas Huisman had its release date on May 25, 2018. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Takemitsu: Complete Works for Piano". In this album, this song's track order is #12. In terms of popularity, Litany: I. Adagio is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Litany: I. Adagio by Toru Takemitsu, Lukas Huisman having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| III. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 59 BPM | ||
| Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 62 BPM | ||
| 3 Piano Pieces, Op. 54: No. 1, Regndroppar | Selim Palmgren, Risto Lauriala | E Minor | 0 | 9A | 105 BPM | ||
| The Heaven Ladder, Book 7: No. 5, Simone's Lullaby (Arr. for Piano 4 Hands) | Terry Riley, ZOFO Duet | B Minor | 0 | 10A | 94 BPM | ||
| Sonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabile | György Ligeti, Miklós Perényi | G Major | 0 | 9B | 69 BPM | ||
| Flute Sonata in A Minor, HWV 362: III. Adagio | George Frideric Handel, Lorenzo D'Antò, Michele Di Filippo, Duo Astra | D♭ Major | 1 | 3B | 110 BPM | ||
| Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
| Falla / Arr. Llobet & Pujol: 7 Canciones populares españolas: No. 5, Nana | Thibaut García, Edgar Moreau | A Minor | 0 | 8A | 50 BPM | ||
| Scenes de la foret, Op. 123: No. 1, Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | A♭ Major | 0 | 4B | 60 BPM | ||
| In a Landscape | John Cage, Alexei Lubimov | B♭ Major | 0 | 6B | 69 BPM | ||
| Preludes: Chan d'extase dans une paysage triste (Song of Ecstasy in a Sad Landscape) | Olivier Messiaen, Håkon Austbø | D♭ Minor | 0 | 12A | 72 BPM | ||
| Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
| Maré de Sizígia | Matheus Araujo, The Unpredictable | D Minor | 0 | 7A | 79 BPM | ||
| Celestial Voyage | Jarko Vento | A♭ Minor | 4 | 1A | 166 BPM | ||
| Impromptu-Caprice, Op. 9 | Gabriel Pierné, Judy Loman | A♭ Major | 1 | 4B | 90 BPM | ||
| 3 Pieces in Old Style: No. 2, Menuetto I | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | E Minor | 1 | 9A | 76 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, François-René Duchâble, Jean-Philippe Collard, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| IV. Lullaby for the Twins (2002 orchestral Version) | Alla Pavlova, Yaroslav Krasnikov, Leonid Makarevich, Andrey Chernishov, Aleksey Volkov, Michail Poroshin, Georgy Pleskatch, Moscow Philharmonic Orchestra, Rossen Milanov | E Major | 0 | 12B | 70 BPM | ||
| Turangalîla Symphonie: 1. Introduction | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E♭ Minor | 4 | 2A | 143 BPM | ||
| Turangalîla-Symphonie: VIII. Développement de l'amour | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Piano Concerto No. 3, Sz. 119: II. Adagio religioso | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| Transfigured Night, Op. 4: Adagio. Molto tranquillo | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | E Minor | 0 | 9A | 73 BPM | ||
| Tension in Yahatabara / Assault | Toru Takemitsu | A♭ Minor | 1 | 1A | 73 BPM | ||
| 3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) | Anonymous, Gabriel Fauré, Maria Kliegel, Nina Tichman | F Minor | 0 | 4A | 95 BPM |