- BPM
- 104
- Key
- F Minor
- Camelot
- 4A
Corrente by Bernardo Pasquini, Andrea Chezzi Song Details
On October 30, 2023, the song "Corrente" was released by Bernardo Pasquini, Andrea Chezzi. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 9 in the song's album "Pasquini: Harpsichord Music". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Italy. In terms of popularity, Corrente is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
BPM and Tempo
With Corrente by Bernardo Pasquini, Andrea Chezzi having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -16.418 dB
- Acousticness
- 85%
- Danceability
- 36%
- Energy
- 28%
- Instrumentalness
- 0%
- Liveness
- 14%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 91%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Overture in G Minor: II. Gavotte | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 89 BPM | |
 | III. Largo | Francesco Barsanti, Dan Laurin, Parnassus Avenue | D♭ Minor | 1 | 12A | 122 BPM | |
 | Sei Concerti in sette parte per due violini e violoncello obligato, con in piu due violini, un tenore e basso continuo, Concerto grosso No. 1 in F minor: I. Grave | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E Minor | 1 | 9A | 174 BPM | |
 | I fatti di Mosè nel deserto: D'una fede al vivo zelo | Bernardo Pasquini, Filippo Mineccia, Nereydas, Javier Ulises Illán | F Major | 1 | 7B | 133 BPM | |
 | Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | |
 | In questo punto istesso bramo partir (Live) | Bernardo Pasquini, Anita Giovanna Rosati, Juan Sancho, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | |
| Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | F♯ Major | 1 | 2B | 172 BPM | |
 | Partita sopra la Aria della Folia da Espagna - 2024 Remastered Version | Bernardo Pasquini, E. Power Biggs | C Major | 2 | 8B | 119 BPM | |
 | Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | |
 | Tastata per il signor Melani per Genova | Bernardo Pasquini, Roberto Loreggian | A Major | 2 | 11B | 93 BPM | |
 | Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | |
 | Concerto a 4 in C Minor, Op. 7, No. 4: III. Adagio | Henricus Albicastro, Collegium Marianum, Collegium 1704, Vaclav Luks | D Major | 1 | 10B | 95 BPM | |
 | Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | |
| I fatti di Mosè nel deserto: Ma nostre voci flebili | Bernardo Pasquini, Filippo Mineccia, Nereydas, Javier Ulises Illán | G Minor | 1 | 6A | 92 BPM | |
 | La Giuditta: Pt. I: Sinfonia (Version for 3 voices) | Alessandro Scarlatti, Sophie Landy, Raphaël Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 1 | 1B | 72 BPM | |
| Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM | |
 | Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | |
 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 2. Christe eleison | Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | F♯ Minor | 1 | 11A | 112 BPM | |
 | Concert royaux, Quatrième concert in E Minor: V. Sarabande. Très tendrement | François Couperin, Lucie Horsch, Tom Foster | E Major | 0 | 12B | 89 BPM | |
 | Le Berger fidèle, RCT 24: Air plaintif: Faut-il qu’Amarillis périsse? | Jean-Philippe Rameau, Hannah De Priest, Les Délices, Debra Nagy | D♭ Minor | 1 | 12A | 179 BPM | |
 | 6 Sonates en symphonies, Op. 3, Sonata No. 1: II. Aria. Gratioso e poco piano | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Major | 0 | 2B | 111 BPM | |
 | The Fairy Queen Z 629: Hornpipe In G Minor | Henry Purcell, Arcangelo, Jonathan Cohen | F♯ Major | 0 | 2B | 162 BPM | |
 | Il martirio dei santi Vito, Modesto e Crescenzia: Sinfonia | Bernardo Pasquini, Les Paladins, Jérôme Corréas | A♭ Minor | 0 | 1A | 77 BPM | |
 | Hail! bright Cecilia, Z. 328: II. Hail! Bright Cecilia! | Henry Purcell, Collegium Vocale Gent, Philippe Herreweghe, Susan Hamilton, Siri Thornhill, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold, Jonathan Brown, Peter Harvey | D♭ Major | 1 | 3B | 73 BPM | |
 | Purcell: Dido and Aeneas, Z. 626, Act 3: The Witches’ Dance | Henry Purcell, Maxim Emelyanychev, Il Pomo D'oro | F♯ Minor | 0 | 11A | 172 BPM |
- ISRC
- ITCC53002321
- Label
- L-M Records/RCA Records