Pam Garner, Jack Sheldon, Johnny Williams's 'Solitude' had a release date set for December 4, 2019. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Pam Garner, Peggy King's "Lazy Afternoon / Sings Ballads for Broken Hearts" album is number 19 out of 24. On top of that, Spain appears to be the country where this track was created. Solitude is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Solitude by Pam Garner, Jack Sheldon, Johnny Williams to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It's All In Your Mind | Sarah Vaughan | B♭ Minor | 2 | 3A | 68 BPM | ||
| Baby, Don't You Quit Now | Carol Sloane | G Minor | 0 | 6A | 185 BPM | ||
| Memphis In June | Julie London | F Major | 2 | 7B | 80 BPM | ||
| That's All | Peggy Lee | E Major | 2 | 12B | 104 BPM | ||
| Born To Be Blue | Anne Phillips | F Minor | 1 | 4A | 175 BPM | ||
| Bill | Peggy Lee | E♭ Minor | 8 | 2A | 111 BPM | ||
| After You, Who? | Melissa Errico | A♭ Major | 3 | 4B | 132 BPM | ||
| They Say It's Spring | Blossom Dearie | F Minor | 0 | 4A | 111 BPM | ||
| Gone With The Wind | Sarah Vaughan | A♭ Major | 2 | 4B | 90 BPM | ||
| Day In - Day Out | Margaret Whiting | F Major | 1 | 7B | 78 BPM | ||
| It Looks Like Rain in Cherry Blossom Lane | Sue Raney, Ray Anthony, Bob Bain, Warren Barker, Nelson Riddle, Jack Marshall, Billy May, Bill Holman | A♭ Major | 3 | 4B | 132 BPM | ||
| I'm Confessin' (That I Love You) | Doris Day | G Minor | 2 | 6A | 177 BPM | ||
| It Isn't So Good | Irene Kral | A♭ Major | 4 | 4B | 108 BPM | ||
| There Is No Greater Love | Chet Baker | A Minor | 1 | 8A | 173 BPM | ||
| Cloudy (With a Chance of Rain) | Katherine Kostoff | D♭ Major | 2 | 3B | 113 BPM | ||
| Whatever Lola Wants (Lola Gets) | Sarah Vaughan | A♭ Major | 3 | 4B | 132 BPM | ||
| Again (with The Mellomen) | Doris Day, John Rarig, The Mellomen | E♭ Major | 0 | 5B | 131 BPM | ||
| Once Upon a Time | Ketty Lester | E♭ Major | 3 | 5B | 81 BPM | ||
| Lonesome Road | Pam Garner | A♭ Major | 1 | 4B | 127 BPM | ||
| Let's Face The Music And Dance | Monica Lewis | A♭ Minor | 3 | 1A | 170 BPM | ||
| One Heel in the Doorway - Midnight's Sharp Cut edition | MEOW JAZZ | A♭ Major | 3 | 4B | 132 BPM | ||
| Blues In The Night - Remastered 2002 | Julie London | B♭ Major | 1 | 6B | 139 BPM | ||
| Baby, Baby All The Time | June Christy, Stan Kenton | B♭ Minor | 0 | 3A | 103 BPM | ||
| My Ship | Nancy Wilson | A Minor | 1 | 8A | 88 BPM | ||
| A Stranger Called The Blues - Mono | June Christy | B♭ Minor | 2 | 3A | 99 BPM |