Sarah Vaughan's 'It's All In Your Mind' had a release date set for 1949. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Sarah Vaughan In Hi-Fi". In this album, this song's track order is #13. It's All In Your Mind is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With It's All In Your Mind by Sarah Vaughan having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It's Only A Paper Moon | Morgana King | E♭ Major | 2 | 5B | 103 BPM | ||
| Lullaby Of Birdland | Chris Connor | A Minor | 1 | 8A | 111 BPM | ||
| All Of You | Billie Holiday | G Minor | 2 | 6A | 121 BPM | ||
| I'd Know You Anywhere | Irene Kral | G Major | 4 | 9B | 75 BPM | ||
| I've Never Been In Love Before | Lorez Alexandria | A♭ Major | 2 | 4B | 140 BPM | ||
| You Go To My Head | Billie Holiday | A♭ Major | 1 | 4B | 68 BPM | ||
| Change Partners | Fred Astaire | F Major | 0 | 7B | 81 BPM | ||
| Dedicated To You | John Coltrane, Johnny Hartman | A♭ Major | 1 | 4B | 63 BPM | ||
| I've Heard That Song Before | Harry James | F Major | 4 | 7B | 126 BPM | ||
| When I Look In Your Eyes | Irene Kral | D Minor | 0 | 7A | 106 BPM | ||
| Samba Del Sol | Judi Singh | A Major | 2 | 11B | 95 BPM | ||
| When I Fall In Love | Miles Davis Quintet | F Major | 1 | 7B | 66 BPM | ||
| Sweet Lorraine | Johnny Hodges | F Major | 1 | 7B | 79 BPM | ||
| Don't Explain | Helen Merrill | B♭ Minor | 1 | 3A | 172 BPM | ||
| A Cigarette and a Silhouette | Mildred Bailey | A Major | 2 | 11B | 95 BPM | ||
| Tea for Two | Irving Caesar, Vincent Youmans, Art Tatum | D Major | 2 | 10B | 97 BPM | ||
| I Get Sentimental Over Nothing (Imagine How I Feel About You) | Nat King Cole Trio | D Minor | 1 | 7A | 125 BPM | ||
| I'm Through With Love | Lorez Alexandria | B♭ Major | 1 | 6B | 165 BPM | ||
| In The Wee Small Hours Of The Morning | Johnny Hartman | F♯ Minor | 0 | 11A | 172 BPM | ||
| Memphis In June | Irene Kral | A♭ Major | 1 | 4B | 92 BPM | ||
| Summertime | Charlie Parker | G Minor | 3 | 6A | 133 BPM | ||
| Can't Help Lovin' That Man | Julie London | F♯ Major | 0 | 2B | 83 BPM | ||
| (It Will Have to Do) Until the Real Thing Comes Along | Dakota Staton | A Major | 2 | 11B | 95 BPM | ||
| What a Difference a Day Makes | Bobby Darin | D Minor | 0 | 7A | 176 BPM | ||
| Body And Soul | Sarah Vaughan | A♭ Major | 0 | 4B | 99 BPM |