"1937: Saint Sebastian" by Philip Glass, Kronos Quartet, Michael Riesman had its release date on 1985. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Philip Glass, Kronos Quartet's "Mishima" album is number 6 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, 1937: Saint Sebastian is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 1937: Saint Sebastian by Philip Glass, Kronos Quartet, Michael Riesman to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Traum (From "Phoenix") | Stefan Will | B Major | 1 | 1B | 99 BPM | ||
| Bed | David Byrne | B Minor | 1 | 10A | 85 BPM | ||
| II. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | G Minor | 1 | 6A | 138 BPM | ||
| The Sinking of the Titanic: 3. Hymn II | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 82 BPM | ||
| Das Rheingold: Prelude | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 68 BPM | ||
| Pastoral II - 2000 Remaster | Moondog | C Major | 2 | 8B | 140 BPM | ||
| Balzac Et Gymnastique | Jean Constantin | F Minor | 2 | 4A | 93 BPM | ||
| Fleeting Smile | Roger Eno | D Major | 0 | 10B | 65 BPM | ||
| Glassworks: II. Floe | Signal, Michael Riesman | A Minor | 6 | 8A | 96 BPM | ||
| Sueno | Warphus | F♯ Minor | 5 | 11A | 132 BPM | ||
| For Bunita Marcus: Mm. 1270-1372 | Morton Feldman, Aki Takahashi | D Major | 0 | 10B | 60 BPM | ||
| Stellar Drive | Trayus Digital | A Minor | 2 | 8A | 63 BPM | ||
| Goldberg Variations, BWV 988: Var. 15, Canone alla quinta - 1981 Version | Johann Sebastian Bach, Glenn Gould | C Minor | 0 | 5A | 79 BPM | ||
| Penny Ann Drinkwater | Harold Budd | E Major | 0 | 12B | 96 BPM | ||
| No. 3, Create New Pattern | Julius Eastman, Wild Up, Christopher Rountree | E♭ Major | 4 | 5B | 124 BPM | ||
| November 25: ICHIGAYA | Philip Glass, Kronos Quartet, Michael Riesman | C Minor | 6 | 5A | 132 BPM | ||
| Vladimir Martynov: Schubert-Quintet (Unfinished): Movement I | Vladimir Martynov, Kronos Quartet | A Minor | 1 | 8A | 82 BPM | ||
| Finish It (feat. Kronos Quartet) | Clint Mansell, Kronos Quartet | B♭ Major | 1 | 6B | 113 BPM | ||
| Songs from Liquid Days: No. 1, Changing Opinion | Philip Glass, Michael Riesman | C Minor | 1 | 5A | 80 BPM | ||
| Breathless... I | Harold Budd | E Major | 2 | 12B | 66 BPM | ||
| Healthy Atmosphere - Original Mix | Elara Lilara | B♭ Major | 1 | 6B | 124 BPM | ||
| The Harvest - From "Days of Heaven" | The City of Prague Philharmonic Orchestra | E Major | 2 | 12B | 80 BPM | ||
| Fantasy On a Theme of Thomas Tallis | New Zealand Symphony Orchestra | F Major | 2 | 7B | 82 BPM | ||
| Children | Mica Levi | F♯ Minor | 1 | 11A | 133 BPM | ||
| 3 Pieces in Old Style: No. 1, Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 75 BPM |