- BPM
- 114
- Key
- A♭ Minor
- Camelot
- 1A
Variations on a Theme by Haydn, Op. 56a: Variation II: Più vivace by Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini Song Details
Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini's ' "Variations on a Theme by Haydn, Op. 56a: Variation II: Più vivace" was released on its scheduled release date, January 1, 1991. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 14 in Brahms: Symphony No.3; Haydn-Variations by Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Variations on a Theme by Haydn, Op. 56a: Variation II: Più vivace is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
The tempo marking of Variations on a Theme by Haydn, Op. 56a: Variation II: Più vivace by Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
Music Key
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -21.688 dB
- Acousticness
- 92%
- Danceability
- 43%
- Energy
- 4%
- Instrumentalness
- 92%
- Liveness
- 14%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 63%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | |
 | Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 78 BPM | |
 | Orfeo ed Euridice, Wq. 30: Melodie dell'Orfeo (Arr. Sgambati for Piano) | Yuja Wang | D♭ Minor | 1 | 12A | 80 BPM | |
 | Symphony No. 40 in G Minor, K. 550 (1st Version, No Clarinets): I. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | B Major | 0 | 1B | 94 BPM | |
 | The Lark | Mikhail Glinka, Evgeny Kissin | B♭ Minor | 0 | 3A | 96 BPM | |
 | Liebesleid, Old Viennese Dance No. 2 | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | |
 | Le Festin D'Esope Op. 39 No. 12 | Charles-Valentin Alkan, Igor Roma | E Minor | 2 | 9A | 138 BPM | |
 | Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Monique Haas | E Minor | 0 | 9A | 101 BPM | |
 | Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | |
 | Le tombeau de Couperin: 3. Menuet (version for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | A Major | 1 | 11B | 107 BPM | |
 | Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | |
 | 7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 122 BPM | |
 | Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | D♭ Major | 0 | 3B | 86 BPM | |
 | 13 Pieces for Piano, Op. 76: II. Etude | Jean Sibelius, Jian Wang, Göran Söllscher | G Minor | 0 | 6A | 124 BPM | |
 | Serenade No. 1 in D Major, Op. 11: IVb. Menuetto II | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | G Minor | 0 | 6A | 99 BPM | |
 | Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | |
 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 17 in F-Sharp Minor. Andantino (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 1 | 11A | 141 BPM | |
 | Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | |
 | Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | |
 | Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | |
 | Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | |
 | Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | |
 | 2 Arabesques, CD 74: No. 1, Andantino con moto | Claude Debussy, Steven Osborne | B Minor | 1 | 10A | 114 BPM | |
 | Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | |
 | Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM |
- ISRC
- DEF059002763
- Label
- L-M Records/RCA Records