Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit's 'Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando' had a release date set for January 1, 1981. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Saint-Saëns: Piano Concertos Nos. 1-5". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando by Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto No. 1 in D-Flat Major, Op. 10: II. Andante assai | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 1 | 2B | 170 BPM | ||
| Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
| Dynamic Triptych, Op. 88: I. Dynamic Mode | John Foulds, Howard Shelley, Royal Philharmonic Orchestra, Vernon Handley | C Major | 0 | 8B | 89 BPM | ||
| Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
| L'Arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
| Schumann: Symphony No. 3 in E-Flat Major, Op. 97, Rhenish: I. Lebhaft | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 2 | 5B | 86 BPM | ||
| Pictures at an Exhibition: The Hut on Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Evgeny Kissin | A♭ Minor | 5 | 1A | 140 BPM | ||
| Enigma Variations, Op. 36: Var. 5. Moderato "R.P.A." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
| The Carnival of the Animals, R.125: 5. The Elephant. Allegretto pomposo | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra, Claude Frank, Lilian Kallir | E♭ Major | 0 | 5B | 122 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Piano Concerto in C-Sharp Minor, Op. 30: Ic. Andante mosso | Nikolai Rimsky-Korsakov, Jeffrey Campbell, Royal Philharmonic Orchestra | D Major | 2 | 10B | 118 BPM | ||
| 8 Slavonic Dances, Op.46, B.83: No.2 in E Minor (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 138 BPM | ||
| Prokofiev: 4 Etudes, Op. 2: No. 1 in D Minor | Sergei Prokofiev, Roustem Saitkoulov | F♯ Major | 2 | 2B | 81 BPM | ||
| Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
| La muse et le poète, Op. 132 | Camille Saint-Saëns, Tianwa Yang, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot | E Minor | 1 | 9A | 102 BPM | ||
| Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F Major | 2 | 7B | 81 BPM | ||
| Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 1 | 10B | 119 BPM | ||
| Serenade for Strings in E Minor, Op. 20: III. Allegretto | Edward Elgar, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
| Piano Concerto No.2 in F, Op.102: 1. Allegro | Dmitri Shostakovich, Cristina Ortiz, Royal Philharmonic Orchestra, Vladimir Ashkenazy | B♭ Major | 2 | 6B | 76 BPM | ||
| Piano Concerto in G Major, M. 83: I. Allegramente | Maurice Ravel, Krystian Zimerman, The Cleveland Orchestra, Pierre Boulez | D Major | 1 | 10B | 129 BPM | ||
| Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | D♭ Major | 0 | 3B | 86 BPM | ||
| Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Louis Schwizgebel, BBC Symphony Orchestra, Martyn Brabbins | F Major | 1 | 7B | 87 BPM | ||
| Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | E Minor | 3 | 9A | 95 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM |