"Variations on a Rococo Theme, Op. 33 for cello and orchestra: Var. II: Tempo della Thema" by Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek had its release date on September 23, 2013. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 14 in Elgar: Cello Concerto, Op. 85 - Tchaikovsky: Variations on a Rococo Theme Op. 33 by Jean-Guihen Queyras, Jiří Bělohlávek, BBC Symphony Orchestra. In terms of popularity, Variations on a Rococo Theme, Op. 33 for cello and orchestra: Var. II: Tempo della Thema is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on a Rococo Theme, Op. 33 for cello and orchestra: Var. II: Tempo della Thema by Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viola Concerto in G Minor: II. Andante un poco sostenuto | Cecil Forsyth, Baden-Badener Philharmonie, Hartmut Rohde, Pavel Baleff | F Major | 1 | 7B | 75 BPM | ||
| Andante Cantabile for Cello Solo and String Orchestra, Op. posth. - Live | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Verbier Festival Chamber Orchestra | F♯ Major | 0 | 2B | 85 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
| Giselle, Act 1: Peasant Pas de Deux - Adage, pas de deux | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: IV. Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
| Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 3. Adagio | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Major | 1 | 11B | 96 BPM | ||
| Harpsichord Concerto in F Minor: III. Allegro di molto | Jiří Antonín Benda, Francesco Corti, Il Pomo D'oro | C Minor | 3 | 5A | 112 BPM | ||
| 3 Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Koji Morishita | D♭ Major | 1 | 3B | 131 BPM | ||
| Scheherazade: Sinbad's mighty bird, the Roc | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 3 | 9B | 143 BPM | ||
| String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
| Nacht und Traüme, D. 827 | Franz Schubert, Mischa Maisky, Daria Hovora | A Major | 0 | 11B | 92 BPM | ||
| Raymonda, Act I: Introduction (Moderato poco piu mosso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | C Minor | 1 | 5A | 169 BPM | ||
| Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
| La Bayadere, Act I, Scene 2: 21. "Finale - Gamzatti and Nikiya (Argument)" | Evergreen Symphony Orchestra, Kevin Galiè | C Minor | 1 | 5A | 111 BPM | ||
| Humperdinck : Hänsel und Gretel : Overture to Act 1 | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 0 | 8B | 92 BPM | ||
| Cello Concerto No. 2 in D Major, Hob.VIIb:2: II. Adagio | Joseph Haydn, Steven Isserlis, Sir Roger Norrington, Chamber Orchestra of Europe | D Major | 1 | 10B | 79 BPM | ||
| Lyric Suite, Op. 54: III. Notturno (Nocturne): Andante | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | F Major | 0 | 7B | 82 BPM | ||
| Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | G Minor | 0 | 6A | 180 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: IV. Passacaglia (Roncalli) | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 3 | 6A | 116 BPM | ||
| Giselle, Act 1: No. 5a Hilarion plots, Courtiers enter with Duke and Bathilde, Mother serves refreshments, Giselle and Bathilde meet, Bathilde gives Giselle a necklace, Intro to Peasant Pas de deux | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | F Major | 1 | 7B | 119 BPM | ||
| Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM | ||
| Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 3, Allegro appassionato | Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 75 BPM | ||
| Caprice 1 in D-Sharp Major | Pietro Locatelli, Gabriel Tchalik | D Major | 2 | 10B | 105 BPM |