"Double Concerto for Violin and Cello: V. Their Accord" by Ned Rorem, Jaime Laredo, Sharon Robinson, IRIS Orchestra, Michael Stern had its release date on December 12, 2006. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Double Concerto for Violin and Cello: V. Their Accord's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Rorem: Double Concerto / After Reading Shakespeare". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Double Concerto for Violin and Cello: V. Their Accord is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Double Concerto for Violin and Cello: V. Their Accord by Ned Rorem, Jaime Laredo, Sharon Robinson, IRIS Orchestra, Michael Stern having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rorem: The Lordly Hudson | Ned Rorem, Susan Graham, Malcolm Martineau | F Minor | 0 | 4A | 74 BPM | ||
| Jūra, MKČ 102: V. Recapitulation | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Sonatine, M. 40: II. Mouvement de menuet | Maurice Ravel, Hsiang Tu | D♭ Major | 0 | 3B | 109 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | D♭ Major | 0 | 3B | 109 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Nocturne 'Homage to John Field', Op. 33 | Samuel Barber, Ruth Slenczynska | A♭ Major | 1 | 4B | 65 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 5, Alla Tarantella | Erwin Schulhoff, Leonkoro Quartet | D♭ Major | 0 | 3B | 109 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | D♭ Major | 0 | 3B | 109 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | A Major | 4 | 11B | 134 BPM | ||
| Our Town, Act III: "Look! There's the Church Where I Got Married!" | Ned Rorem, Margot Rood, Matthew DiBattista, Angela Gooch, David Kravitz, Gil Rose | G Major | 2 | 9B | 100 BPM | ||
| 3 Preludes Founded on Welsh Hymn Tunes: II. Rhosymedre. Andantino (Arr. for Orchestra by Arnold Foster) | Ralph Vaughan Williams, Britten Sinfonia, Benjamin Nicholas, Choir of Merton College, Oxford | A♭ Major | 1 | 4B | 64 BPM | ||
| Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | ||
| Música callada I: No. 2, Lent | Federico Mompou, Stephen Hough | E Minor | 0 | 9A | 86 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| 24 Dainas: Daina No. 11, Tranquillo | Janis Medins, Arta Arnicane | D♭ Major | 0 | 3B | 109 BPM | ||
| Choral Hymns from the Rig Veda, 3rd Group, Op. 26: 1. Hymn to the Dawn (arr. J. Lloyd Webber for 4 cellos and harp) | Gustav Holst, Julian Lloyd Webber, Jiaxin Lloyd Webber, Guy Johnston, Laura van der Heijden, Catrin Finch | G Major | 1 | 9B | 85 BPM | ||
| Sing My Soul, His Wondrous Love | Ned Rorem, St Martin's Voices, Andrew Earis | A♭ Major | 1 | 4B | 91 BPM | ||
| Winter Pages: II. The sun that brief December day | Ned Rorem, Fred Sherry, Frank Morelli, Ida Kavafian, Charles Wadsworth, Todd Palmer | C Major | 0 | 8B | 80 BPM | ||
| String Quartet in F Major, 2nd Movement | Maurice Ravel, vision string quartet | D♭ Major | 0 | 3B | 109 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | D♭ Major | 0 | 3B | 109 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | D♭ Major | 0 | 3B | 109 BPM | ||
| Three Bach Transcriptions: Chorale "Agnus Dei" from Mass in B Minor | Johann Sebastian Bach, Simone Dinnerstein | C Major | 0 | 8B | 138 BPM | ||
| Nocturne No. 13 in B Minor, Op. 119 | Gabriel Fauré, Kun-Woo Paik | E Minor | 1 | 9A | 68 BPM |