"Winter Pages: II. The sun that brief December day" by Ned Rorem, Fred Sherry, Frank Morelli, Ida Kavafian, Charles Wadsworth, Todd Palmer had its release date on January 1, 1992. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Ned Rorem: Winter Pages/Bright Music". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Winter Pages: II. The sun that brief December day is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Winter Pages: II. The sun that brief December day by Ned Rorem, Fred Sherry, Frank Morelli, Ida Kavafian, Charles Wadsworth, Todd Palmer having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Winter Pages: II. The sun that brief December day | Ned Rorem, Fred Sherry, Frank Morelli, Ida Kavafian, Charles Wadsworth, Todd Palmer | C Major | 0 | 8B | 80 BPM | ||
| Requiem: XIV. Requiem | Alfred Schnittke, NDR Vokalensemble, Klaas Stok, Bernhard Fograscher, Fanis Gioles, Thomas Emanuel Cornelius, Michael Schröder, Sven Gätjens, Eunsol Hong, Yang-Hung Huang | F Major | 0 | 7B | 132 BPM | ||
| Le Joie de Pierre-Auguste: Adagio. Como Cada Mañana Entre el Dolor y la Belleza... | Ramón Paus, Irene Cantos | G Major | 1 | 9B | 63 BPM | ||
| Piano Concerto No. 1, Op. 45: III. Molto vivace | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 3 | 5A | 76 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| 14 Romances, Op. 34: No. 14, Vocalise (Arr. for Cello & Piano by Meredith Blecha-Wells & Sun Min Kim) | Sergei Rachmaninoff, Meredith Blecha-Wells, Sun Min Kim | E Major | 1 | 12B | 123 BPM | ||
| Concerto for English Horn and Orchestra: II. Love Letter | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | B♭ Major | 0 | 6B | 108 BPM | ||
| III. Soprano | Michael Stephen Brown, Susanna Phillips, Paul Neubauer, Anne-Marie McDermott | C Minor | 1 | 5A | 136 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | C Minor | 1 | 5A | 136 BPM | ||
| 12 Nocturnes: No. 6, Sigrids Kantate | Bent Sørensen, Katrine Gislinge | C Minor | 1 | 5A | 136 BPM | ||
| Blumenleben, Op. 19: No. 7, Lilien | Dora Pejačević, Natasa Veljkovic | C Major | 3 | 8B | 80 BPM | ||
| Feldeinsamkeit | Johannes Brahms, Fabio Di Casola | G Minor | 1 | 6A | 124 BPM | ||
| Symphony No. 1 in E Major, Op. 26: IV. Vivace | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Prelude No. 3 | Florence Ewart, Jeanell Carrigan | A Minor | 0 | 8A | 74 BPM | ||
| Sæverud: Tunes and Dances from Siljustol, Book IV, Op. 25: No. 4, Tone's Cradle Song | Harald Sæverud, Leif Ove Andsnes | B Minor | 0 | 10A | 63 BPM | ||
| Vattendroppar, JS 216 | Maja Bogdanovic, Daniel Rowland | B♭ Major | 1 | 6B | 175 BPM | ||
| 6 Morceaux, Op. 19: I. Rêverie du soir. Andante espressivo - Excerpt | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | D Major | 0 | 10B | 68 BPM | ||
| The Lordly Hudson | Ned Rorem | F Minor | 2 | 4A | 144 BPM | ||
| Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | ||
| Schoenberg: Suite in the Old Style for String Orchestra: II. Adagio | Arnold Schoenberg, Mario Venzago, Deutsche Kammerphilharmonie Bremen | G Major | 1 | 9B | 101 BPM | ||
| Tandem: III. Rustico | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | F♯ Minor | 1 | 11A | 74 BPM | ||
| Enescu: String Octet in C Major, Op. 7: III. Lentement | George Enescu, Quatuor Ébène, Belcea Quartet | C Minor | 1 | 5A | 136 BPM | ||
| Piano Concerto No. 2: III. Real Fast! | Simon Mulligan, Royal Scottish National Orchestra, Joee, Ned Rorem | D Minor | 0 | 7A | 85 BPM | ||
| Our Town, Act III: "Coming! Morning, Mama. Morning, Papa" | Ned Rorem, David Kravitz, Angela Gooch, Margot Rood, Brendan Buckley, Gil Rose | A Minor | 3 | 8A | 86 BPM | ||
| Fauré: Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande. Molto adagio | Gabriel Fauré, Armin Jordan, Orchestre de Chambre de Lausanne | D Minor | 0 | 7A | 79 BPM |