"At The Opera" by Dario Marianelli had its release date on January 1, 2012. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 24 in Anna Karenina (Original Music From The Motion Picture) by Dario Marianelli. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. At The Opera is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of At The Opera by Dario Marianelli is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In This Together | Rupert Gregson-Williams | G Minor | 1 | 6A | 120 BPM | ||
| The Cloud Atlas Sextet for Orchestra | Tom Tykwer, Johnny Klimek, Reinhold Heil, Gene Pritsker | D♭ Major | 3 | 3B | 128 BPM | ||
| Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
| Twenty Years Later (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan | G Minor | 1 | 6A | 48 BPM | ||
| Dream Violin | Craig Armstrong | C Major | 2 | 8B | 85 BPM | ||
| The Elevator | Rachel Porter's All Female Orchestra | B Major | 1 | 1B | 167 BPM | ||
| Frank Churchill Arrives At Hartfield | Isobel Waller-Bridge, David Schweitzer | B♭ Major | 1 | 6B | 126 BPM | ||
| Brideshead Revisited: No. 6, Arcadia | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F Major | 1 | 7B | 84 BPM | ||
| A Glimpse Of Happiness | The Chamber Orchestra Of London | C Major | 3 | 8B | 78 BPM | ||
| The Funeral | Javier Navarrete | D Minor | 2 | 7A | 102 BPM | ||
| The Painting | Charlie Mole | G Major | 1 | 9B | 121 BPM | ||
| "Depuis le jour" | Gustave Charpentier, Anna Netrebko | G Major | 1 | 9B | 87 BPM | ||
| Sudden Turn | Jan A.P. Kaczmarek | G Minor | 3 | 6A | 82 BPM | ||
| You Kept My Letters | Craig Armstrong | D Minor | 0 | 7A | 85 BPM | ||
| Harriet Smith And Robert Martin Meet In The Rain | Isobel Waller-Bridge, David Schweitzer | B Major | 0 | 1B | 130 BPM | ||
| Mrs. Reed is Not Quite Finished (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | C Minor | 0 | 5A | 73 BPM | ||
| Someone Is Watching | Dario Marianelli | C Minor | 2 | 5A | 66 BPM | ||
| Jupiter Ascending: 4th Movement | Michael Giacchino | E Minor | 8 | 9A | 88 BPM | ||
| Lady Gresham's Ball: The Hole in the Wall - Bonus Track | Adrian Johnston, Original Soundtrack, Paul Englishby | B♭ Major | 1 | 6B | 66 BPM | ||
| The Moribund Tree & The Toad | Javier Navarrete | C Minor | 2 | 5A | 88 BPM | ||
| Mary and Edward | Rupert Gregson-Williams | F Major | 0 | 7B | 136 BPM | ||
| Lullaby Variation | Fernando Velázquez | B♭ Minor | 0 | 3A | 67 BPM | ||
| Koji's Aria | Ryuichi Sakamoto | C Minor | 1 | 5A | 82 BPM | ||
| The Refuge | Javier Navarrete | A Minor | 2 | 8A | 66 BPM | ||
| Blood on the Pavement | David Arnold, Michael Price | D Major | 1 | 10B | 86 BPM |