- BPM
- 67
- Key
- G Major
- Camelot
- 9B
La Dauphine, RCT 12 by Jean-Philippe Rameau, Constance Luzzati Song Details
"La Dauphine, RCT 12" by Jean-Philippe Rameau, Constance Luzzati had its release date on March 17, 2023. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 15 in Enharmonique Rameau by Jean-Philippe Rameau, Constance Luzzati. Going off of the ISRC code of this track, we detected that the origin of this track is from France. La Dauphine, RCT 12 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of La Dauphine, RCT 12 by Jean-Philippe Rameau, Constance Luzzati is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 16%
- Loudness
- -18.275 dB
- Acousticness
- 96%
- Danceability
- 17%
- Energy
- 31%
- Instrumentalness
- 97%
- Liveness
- 45%
- Loudness
- 70%
- Speechiness
- 6%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Zelenka: Laetatus sum, ZWV 90: V. Gloria. Adagio | Jan Dismas Zelenka, Jakub Józef Orliński, Fatma Said, Francesco Corti, Il Pomo D'oro | B♭ Minor | 3 | 3A | 66 BPM | |
 | Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | |
 | Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D Minor | 2 | 7A | 122 BPM | |
 | Oboe Concerto in C Major (Arr. A. Benjamin): I. Introduction. Larghetto – | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | |
 | Sonata No. 13, Hob. XVI:6: III. Adagio | Joseph Haydn, Jean-Efflam Bavouzet | B♭ Major | 0 | 6B | 75 BPM | |
 | Les Indes galantes: Air des Sauvages | Jean-Philippe Rameau, La Chapelle Royale, Philippe Herreweghe | F♯ Minor | 2 | 11A | 85 BPM | |
 | Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina | Johann Sebastian Bach, Márta Kurtág, György Kurtág | F Major | 3 | 7B | 102 BPM | |
 | A Question | Tobias Hume, Anja Lechner | G Major | 1 | 9B | 79 BPM | |
 | Nocturne No. 14 in G Major, H. 58 | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | |
 | Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | |
 | King Arthur, Z. 628: Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | E Minor | 0 | 9A | 92 BPM | |
 | Variations on La Folia | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | B Major | 1 | 1B | 131 BPM | |
 | Suite in A Minor, RCT 5: VII. Gavotte et six doubles | Jean-Philippe Rameau, David Greilsammer | A Minor | 0 | 8A | 127 BPM | |
 | Fauré: Berceuse, Op. 16 | Gabriel Fauré, Renaud Capuçon, Michel Dalberto | D Major | 0 | 10B | 133 BPM | |
 | Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | |
 | Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | |
 | Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | |
 | Keyboard Sonata in C Minor, Kk. 56 | Domenico Scarlatti, Julius Asal | B Minor | 0 | 10A | 69 BPM | |
 | Rêverie, L. 68 | Claude Debussy, Alice Sara Ott | G Minor | 0 | 6A | 68 BPM | |
 | Nocturne No. 5 in B-Flat Major, H. 37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | |
 | Lully: Ballet des muses, LWV 32: Air. "Trop indiscret Amour" (Euridice) | Jean-Baptiste Lully, Les Arts Florissants, William Christie, Sophie Daneman | F Minor | 1 | 4A | 71 BPM | |
 | Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber Orchestra | F Major | 0 | 7B | 183 BPM | |
 | De Visée / Transcr Tharaud: Livre de pièces pour la guitare, Suite No. 9 in D Minor: IV. Sarabande | Robert de Visée, Alexandre Tharaud | D Minor | 0 | 7A | 139 BPM | |
 | Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM |
- ISRC
- FRV732202967
- Label
- L-M Records/RCA Records