"Mountain song for flute and piano ; Andantino" by Ned Rorem, Mihahe Lee, Fenwick Smith had its release date on January 1, 1993. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Ned Rorem, Chamber Music with Flute, Trio, Book of hours". In this album, this song's track order is #22. Furthermore, we believe that the track originated from France. In terms of popularity, Mountain song for flute and piano ; Andantino is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mountain song for flute and piano ; Andantino by Ned Rorem, Mihahe Lee, Fenwick Smith having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata for Cello and Piano: II. Allegretto | Henriëtte Bosmans, Mayke Rademakers, Matthijs Verschoor | G Major | 1 | 9B | 105 BPM | ||
| 33 Miniatures: No. 22, Valse from "Don't Grieve" | Giya Kancheli, Ketevan Sepashvili | N/A | N/A | N/A | 0 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | E Minor | 1 | 9A | 75 BPM | ||
| 24 Preludes, Op. 11: No. 21 in B-Flat Major | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 67 BPM | ||
| Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato (Transcr. Delsart for Cello and Piano) | César Franck, Daniel Müller-Schott, Robert Kulek | F♯ Minor | 0 | 11A | 63 BPM | ||
| 4 piezas españolas: I. Aragonesa (Allegro) | Manuel de Falla, Javier Perianes | C Major | 1 | 8B | 100 BPM | ||
| Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 60 BPM | ||
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
| Come away, come away death, Op.18, No.1 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Minor | 1 | 9A | 109 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Piano Concerto No. 2: III. Real Fast! | Simon Mulligan, Royal Scottish National Orchestra, Joee, Ned Rorem | D Minor | 0 | 7A | 85 BPM | ||
| Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 1 | 9A | 76 BPM | ||
| Nocturne No. 1 in E-Flat Minor, Op. 33 No. 1 | Gabriel Fauré, Kun-Woo Paik | B Major | 0 | 1B | 170 BPM | ||
| Romance for Cello & Piano, RT VIII/5 | Frederick Delius, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 94 BPM | ||
| Organ Concerto in G Minor, FP 93: III. Andante moderato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | D♭ Major | 0 | 3B | 79 BPM | ||
| Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | ||
| Impresiones intimas: II. Pajaro triste | Federico Mompou, Olena Kushpler | D♭ Major | 0 | 3B | 79 BPM | ||
| Symphony No. 3: Andante | Bournemouth Symphony Orchestra, Ned Rorem | A Minor | 0 | 8A | 91 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | E Minor | 1 | 9A | 75 BPM | ||
| 6 Romances russes: No. 6 in D Minor (After A. Dargomyzhsky) | Adolf von Henselt, Sergio Gallo | D♭ Major | 1 | 3B | 71 BPM | ||
| Seven Motets for the Church Year: Lay Up for Yourselves | Ned Rorem, Concora, Larry Allen, David Westfall, Carol Allen, Stacey Grimaldi, Richard Coffey | D Minor | 1 | 7A | 76 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Symphony No. 3: Passacaglia | Bournemouth Symphony Orchestra, Ned Rorem | D Minor | 1 | 7A | 111 BPM | ||
| Prélude en Ré b/Des | Lili Boulanger, Antonii Baryshevskyi | A♭ Major | 0 | 4B | 72 BPM | ||
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM |