"Seven Motets for the Church Year: Lay Up for Yourselves" by Ned Rorem, Concora, Larry Allen, David Westfall, Carol Allen, Stacey Grimaldi, Richard Coffey had its release date on November 1, 1998. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Sing My Soul". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Seven Motets for the Church Year: Lay Up for Yourselves is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seven Motets for the Church Year: Lay Up for Yourselves by Ned Rorem, Concora, Larry Allen, David Westfall, Carol Allen, Stacey Grimaldi, Richard Coffey having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pêcheur de lune | Manuel Rosenthal, Julie Roset, Susan Manoff | A Minor | 1 | 8A | 78 BPM | ||
| Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl | Kevin Puts, Time For Three, Joyce DiDonato | A Minor | 1 | 8A | 78 BPM | ||
| Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | A Minor | 1 | 8A | 78 BPM | ||
| Quilter: 3 Songs, Op. 3: No. 2, Now Sleeps the Crimson Petal (Arr. Hough for Piano) | Roger Quilter, Stephen Hough | F♯ Major | 0 | 2B | 131 BPM | ||
| Clarinet Sonata No. 2, Op. 120 No. 2: II. Allegro appassionato | Johannes Brahms, Nicola Boud, Anthony Romaniuk | A♭ Major | 1 | 4B | 134 BPM | ||
| Youth: III. Frankenthaler | Edmund Finnis, Clare Hammond | B♭ Minor | 0 | 3A | 133 BPM | ||
| Cavalli: Ercole amante, Act 2, Scene 6: "Dormi, dormi o Sonno" (Coro) | Francesco Cavalli, Michel Corboz, English Bach Festival Chorus, Luciano Sgrizzi, English Bach Festival Baroque Orchestra | A♭ Minor | 0 | 1A | 113 BPM | ||
| 4 Pictures for Piano Duet: No. 4, Quite Slow and Sad | Edward Gregson, Murray McLachlan, Rose McLachlan | F Major | 1 | 7B | 135 BPM | ||
| Chants sahariens, 5 poèmes touaregs: II La nuit passée | Maurice Jaubert, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse | D♭ Major | 0 | 3B | 82 BPM | ||
| Other Earths and Skies: No. 2, A Song of Qiu-pu | Alec Roth, Hugo Hymas, Nicholas Daniel | E Minor | 2 | 9A | 100 BPM | ||
| Sing My Soul, His Wondrous Love | Ned Rorem, St Martin's Voices, Andrew Earis | A♭ Major | 1 | 4B | 91 BPM | ||
| Mercy and Truth Are Met | Ned Rorem, Katherine Glinka, Todd King, University Singers, Yuri McCoy, Brady Knapp | G Major | 1 | 9B | 61 BPM | ||
| Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | ||
| Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | ||
| Chansons pour les oiseaux: No. 3, L'oiseau bleu | Louis Beydts, Julie Roset, Susan Manoff | G Major | 6 | 9B | 103 BPM | ||
| Our Town, Act II: "Hello There, George. Howdy, Emily" | Ned Rorem, Matthew DiBattista, Brendan Buckley, Margot Rood, Glorivy Arroyo, Gil Rose | C Major | 1 | 8B | 95 BPM | ||
| Martinů: Film en miniature: No. 3, Berceuse | Bohuslav Martinů, Bertrand Chamayou | A♭ Major | 0 | 4B | 175 BPM | ||
| 5 Morceaux de fantaisie, Op. 3: No. 2, Prélude | Sergei Rachmaninoff, Jean-Baptiste Fonlupt | B Major | 0 | 1B | 71 BPM | ||
| 12 Nocturnes: No. 9, Sigrids Wiegenlied | Bent Sørensen, Katrine Gislinge | A Minor | 1 | 8A | 78 BPM | ||
| Une Tabatiere a Musique. Op. 32 (Musical Snuffbox) - Duo-Art 67319 | Anatoly Lyadov, Ethel Leginska, Peter Phillips | A Minor | 1 | 8A | 78 BPM | ||
| Prelude Op.32 No.9 a Major | Valentina Lisitsa | D♭ Major | 3 | 3B | 70 BPM | ||
| The Lordly Hudson (Paul Goodman) | Ned Rorem, Nathan Gunn, Kevin Murphy | A♭ Major | 1 | 4B | 75 BPM | ||
| Serenade for Strings in E-Flat Major, Op. 6: I. Andante con moto | Josef Suk, English String Orchestra, William Boughton | B♭ Major | 2 | 6B | 92 BPM | ||
| Ravel: Valses nobles et sentimentales, M. 61: No. 2, Assez lent | Maurice Ravel, Cecile Ousset | E Minor | 1 | 9A | 134 BPM | ||
| Air à danser, Op. 164 | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 67 BPM |