"クラリネット・ソナタ 作品167 Ⅱ. Allegro animato" by C. サン=サーンス, 大浦綾子(クラリネット), 出羽真理(ピアノ) had its release date on May 25, 2010. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. クラリネット・ソナタ 作品167 Ⅱ. Allegro animato's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in グランド・デュオ・コンチェルタント, so we believe that "クラリネット・ソナタ 作品167 Ⅱ. Allegro animato" is a single. クラリネット・ソナタ 作品167 Ⅱ. Allegro animato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of クラリネット・ソナタ 作品167 Ⅱ. Allegro animato by C. サン=サーンス, 大浦綾子(クラリネット), 出羽真理(ピアノ) is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| クラリネット・ソナタ 作品167 I. Allegretto | C. サン=サーンス, 磯部周平(クラリネット), 岡崎 悦子 (ピアノ) | C Minor | 2 | 5A | 86 BPM | ||
| 白鳥 | C. サン=サーンス, 渡邊方子(チェロ), 小森谷裕子(ピアノ) | E♭ Major | 1 | 5B | 74 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VIII. Vorpsiel | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | E Minor | 0 | 9A | 74 BPM | ||
| I. Adagio ma non troppo | Fanny Mendelssohn, Minguet Quartett | E Minor | 0 | 9A | 74 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | E Minor | 0 | 9A | 74 BPM | ||
| Five pieces for Two Violins and Piano: II. Gavotte- Tranquillo, molto leggiero | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | F Minor | 3 | 4A | 172 BPM | ||
| 6 Romances, Op. 28 TH 99: No. 3, Why? (Arr. for Piano by Peter Breiner) | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | ||
| Serse, HWV 40: Aria. Ombra mai fu "Largo" (arr. A. Wilhelmj for Violin & Piano) | George Frideric Handel, Livia Sohn, Benjamin Loeb | C Minor | 2 | 5A | 123 BPM | ||
| Suite for 2 Violins & Piano, Op. 71: No. 3, Lento assai | Moritz Moszkowski, Nazrin Rashidova, Daniel Grimwood | G Major | 1 | 9B | 108 BPM | ||
| Madrigal pour flûte et piano | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | G Major | 0 | 9B | 89 BPM | ||
| Broken Promises | Orithia | D Major | 6 | 10B | 98 BPM | ||
| Five Pieces for Two Violins & Piano (Edited from the Film Music for "The Gadfly" by L. Atovmyan): No. 3, Elegy [Arr. for String Quartet by Jacqueline Thomas] | Dmitri Shostakovich, Brodsky Quartet | C Major | 0 | 8B | 31 BPM | ||
| Violin Concerto No. 3 in B minor, Op. 61: 2. Andantino quasi allegretto | Camille Saint-Saëns, Kyung Wha Chung, London Symphony Orchestra, Lawrence Foster | A Minor | 1 | 8A | 133 BPM | ||
| チェロ協奏曲第1番 イ短調 作品33: I. Allegro non troppo | C. サン=サーンス, 藤森亮一(チェロ), 広上淳一(指揮), NHK交響楽団, Junichi Hirokami, NHK Symphony Orchestra | F Major | 1 | 7B | 78 BPM | ||
| Suite en trio, Op. 59: I. Serenade | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | E Minor | 0 | 9A | 89 BPM | ||
| Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: II. Idylle | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | B♭ Major | 1 | 6B | 166 BPM | ||
| Les saisons, Op. 37b: No. 10, October. Autumn Song | Pyotr Ilyich Tchaikovsky, Péter Nagy | E Major | 3 | 12B | 84 BPM | ||
| 5 Lieder, Op. 105 (Excerpts Arr. K.H. Schütz for Flute & Piano): No. 1, Wie Melodien zieht es mir | Johannes Brahms, Karl-Heinz Schütz, Maria Prinz | F Major | 1 | 7B | 72 BPM | ||
| Lied in F Minor | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | F Minor | 0 | 4A | 131 BPM | ||
| Concerto for Cello and Orchestra in B Minor, Op. 104: II. Adagio ma non troppo | Antonín Dvořák, Raphaël Jouan, Orchestre national de Metz Grand Est, David Reiland | E Minor | 0 | 9A | 74 BPM | ||
| ブルクミュラー25の練習曲: 19. アヴェ・マリア | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Divertimento in D Major, Hob. XI.113: I. Adagio | Franz Joseph Haydn, Denis Brott, Samuel Sanders | D Major | 1 | 10B | 145 BPM | ||
| fated | emcee, emcee piano | E Minor | 0 | 9A | 74 BPM | ||
| Beau soir | Claude Debussy, Wolfgang Emanuel Schmidt | D Minor | 0 | 7A | 112 BPM | ||
| 6 Variations on "Hélas, j'ai perdu mon amant", K. 360 (Arr. for Flute & Harp by Anonymous): Var. 3 | Wolfgang Amadeus Mozart, Julien Beaudiment, Anaïs Gaudemard | G Minor | 0 | 6A | 138 BPM |