Devender Pathak's ' "Sasurar Landon Fikaa" was released on its scheduled release date, June 17, 2011. This song is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The track order of this song in Devender Pathak's "Motki Mehariya" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Sasurar Landon Fikaa's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sasurar Landon Fikaa by Devender Pathak to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Karle Ram Nu Tu Yaad Ik Baar Bandeya | Dhiraj Sharma | E♭ Minor | 6 | 2A | 173 BPM | ||
| Man Mora Soche Naina Khoje | Satish Das | G Minor | 7 | 6A | 175 BPM | ||
| Jaikara Jaikara Shyam Prabhu Ka | Sanju Sharma | G Major | 8 | 9B | 140 BPM | ||
| Jogira Sara Ra | Devender Pathak | F Minor | 9 | 4A | 112 BPM | ||
| Chitrakut Ke Ghat Ghat Par | Devendra Pathak | D Major | 6 | 10B | 128 BPM | ||
| Jab Teri Doli Nikali Jayegi | Pandit Gaurangi Gauri Ji | F Minor | 7 | 4A | 137 BPM | ||
| Bhav Ka Bhukha Hu | Devender Pathak | F♯ Major | 9 | 2B | 143 BPM | ||
| Thane To Dhyave Aakho Marwar O | Prakash Mali, Mahendra Singh, Daksha Prajapati | A Minor | 9 | 8A | 102 BPM | ||
| Baglamukhi Chalisa | Kumar Vishu | F Major | 7 | 7B | 90 BPM | ||
| Mor Di Sawari Kar Aaya | Dhiraj Sharma | F♯ Major | 5 | 2B | 84 BPM | ||
| Mere Manwa Kya Hai Jag Mein Tera | Pt. Gyanendra Sharma | D Major | 3 | 10B | 81 BPM | ||
| Koyaliya Boli Re Bina Ram Raghunandan Apno Kou Naiyan Re | Sunder Lal Vishwakarma | A Major | 6 | 11B | 76 BPM | ||
| Shyam Chanda Hai Shyama Chakori | Sadhvi Purnima Ji | D♭ Major | 9 | 3B | 150 BPM | ||
| Humare Hai Shree Gurudev | Deepa Didi | E♭ Major | 9 | 5B | 120 BPM | ||
| Ram Naam Sukhdai | Devender Pathak | F♯ Major | 9 | 2B | 143 BPM | ||
| Hum Tumhare Hain Prabhu | Devendra Pathak | C Major | 7 | 8B | 120 BPM | ||
| Aayenge Ram Ji | Devender Pathak | C Minor | 8 | 5A | 130 BPM | ||
| Raat Shyam Sapney Mein Aaye | Vandana Bhardwaj | F♯ Major | 8 | 2B | 140 BPM | ||
| Dil Gaya To Gaya | Mohammed Aziz | E♭ Major | 7 | 5B | 154 BPM | ||
| Binkahe Samajh Jati hai - Male | Soma Jadhav | A Major | 5 | 11B | 156 BPM | ||
| Arara Sarara Pi Gayo Dahi | Rajesh Goswami | F♯ Major | 9 | 2B | 120 BPM | ||
| Har Gyaras Ko | Brijraj Singh Lakkha | D Minor | 8 | 7A | 80 BPM | ||
| Lagan Lagi Bageshwar Dham Ki | Narendra Parmar | D Minor | 8 | 7A | 150 BPM | ||
| Wo Mujhe Bhool Gayi | Saleem Sabri | G Minor | 8 | 6A | 78 BPM | ||
| Tujhe Kya Mila | Arshad Kamli, Naim Sabri | B♭ Minor | 9 | 3A | 174 BPM |