Mohammed Rafi, Bhupinder Singh, Amit Kumar, R. D. Burman's ' "Salam Kijiye" was released on its scheduled release date, December 31, 1975. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 7 in Aandhi by R. D. Burman, Unknown, Gulzar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Salam Kijiye's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Salam Kijiye by Mohammed Rafi, Bhupinder Singh, Amit Kumar, R. D. Burman is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rimjhim Ke Tarane Leke Aai Barsaat | Geeta Dutt, Mohammed Rafi | F♯ Major | 4 | 2B | 100 BPM | ||
| Ae Mere Udas Man | K. J. Yesudas | G Minor | 5 | 6A | 95 BPM | ||
| Haye Re Haye (From "Humjoli") | Lata Mangeshkar, Mohammed Rafi | D♭ Minor | 6 | 12A | 100 BPM | ||
| Aye Watan Aye Watan - Slow | Mohammed Rafi | A♭ Major | 2 | 4B | 108 BPM | ||
| Teri Palkon Ke Tale | Jaspal Singh | A♭ Major | 5 | 4B | 85 BPM | ||
| Chhadi Re Chhadi | Lata Mangeshkar, Mohammed Rafi | G Minor | 5 | 6A | 93 BPM | ||
| Dil Dhundta Hain | Bhupinder Singh | D Major | 3 | 10B | 85 BPM | ||
| Kar Gaya Kanha Milan Ka Vada | Aarti Mukherji | B♭ Minor | 5 | 3A | 79 BPM | ||
| Dukh Sukh Ki | Chandrashekhar Gadgil, R. D. Burman | B Minor | 4 | 10A | 128 BPM | ||
| Surmai Shaam | Suresh Wadkar, Gulzar | D Major | 3 | 10B | 148 BPM | ||
| Mere Jeevan Saathi - He Is A Sexy Play Boy | R. D. Burman | D Major | 5 | 10B | 120 BPM | ||
| Shair Bana Diya | Anwar Hussain, Laxmikant–Pyarelal | C Major | 3 | 8B | 63 BPM | ||
| Woh Kaghaz Ki Kashti | Jagjit Singh, Chitra Singh | B Major | 5 | 1B | 108 BPM | ||
| La De Mohe Balma Aasmani Churiyan | Shamshad Begum, Mohammed Rafi | C Major | 5 | 8B | 66 BPM | ||
| Rut Phire Par Din Hamare | Geeta Dutt, S. D. Burman | D♭ Major | 2 | 3B | 130 BPM | ||
| Ek Adhurisa Mulaqat | Bhupinder Singh | E Minor | 3 | 9A | 100 BPM | ||
| Raah Bani Khud Manzil | Hemant Kumar | D♭ Minor | 5 | 12A | 114 BPM | ||
| Faza Bhi Hai Jawan - Pt. 1 and Ii | Salma Agha | B♭ Major | 4 | 6B | 146 BPM | ||
| Tu Maike Mat Jaiyo - From "Pukar" | Amitabh Bachchan, R. D. Burman | D♭ Major | 7 | 3B | 89 BPM | ||
| O Meri Ladli (Part - 2) | Suman Kalyanpur | E♭ Minor | 4 | 2A | 127 BPM | ||
| Raat Suhani Jaag Rahi Hain | Suman Kalyanpur, Mohammed Rafi, Anand Bakshi | D♭ Minor | 3 | 12A | 130 BPM | ||
| Laga Chunari Men Daag | Manna Dey | E♭ Major | 6 | 5B | 90 BPM | ||
| Maayoos To Hoon | Mohammed Rafi, Sahir Ludhianvi | A♭ Minor | 2 | 1A | 80 BPM | ||
| Tumse Achchha Kaun Hai | Mohammed Rafi | A Minor | 6 | 8A | 159 BPM | ||
| Tujhe Pyar Karte Hain | Suman Kalyanpur, Mohammed Rafi | F Major | 5 | 7B | 100 BPM |