"Raat Suhani Jaag Rahi Hain" by Suman Kalyanpur, Mohammed Rafi, Anand Bakshi had its release date on January 1, 1969. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Laxmikant–Pyarelal, Anand Bakshi's "Jigri Dost (Original Motion Picture Soundtrack)" album is number 3 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Raat Suhani Jaag Rahi Hain's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Raat Suhani Jaag Rahi Hain by Suman Kalyanpur, Mohammed Rafi, Anand Bakshi to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kaisi Haseen Raat | Talat Mahmood, Mohammed Rafi | B Minor | 2 | 10A | 132 BPM | ||
| Tu Is Tarah Se - Manhar Udhas | Manhar Udhas | G Major | 3 | 9B | 92 BPM | ||
| Sharab Cheez Hi Aisi | Pankaj Udhas | B Minor | 5 | 10A | 99 BPM | ||
| Mana Teri Nazar Mein - Ahista Ahista / Soundtrack Version | Sulakshana Pandit | C Major | 4 | 8B | 139 BPM | ||
| Teri Palkon Ke Tale | Jaspal Singh | A♭ Major | 5 | 4B | 85 BPM | ||
| Raat Ke Hamsafar | Asha Bhosle, Mohammed Rafi | C Minor | 6 | 5A | 104 BPM | ||
| Mahv-E-Khayal-E-Yaar Hain | Hemlata | D♭ Major | 4 | 3B | 123 BPM | ||
| Aesa Paida Hua Maa Ka Ye Ladla | Narendra Chanchal, Dilraj Kaur, Sonik, Omi | F Minor | 6 | 4A | 132 BPM | ||
| Ab Tere Bin Ji Lenge Hum | Kumar Sanu, Super Cassettes Industries Private Limited, Sameer Anjaan | A Major | 7 | 11B | 124 BPM | ||
| Parbaton Ke Pedon Par Sham Ka Basera | Suman Kalyanpur, Mohammed Rafi | A♭ Minor | 4 | 1A | 165 BPM | ||
| Tere Mere Yaranay / Dialogue : Ke Jais Se Patte ( Nagin ) - Nagin / Soundtrack Version | Various Artists | D♭ Major | 8 | 3B | 149 BPM | ||
| Dhadakte Dil Ki Tamanna | Suraiya | B♭ Major | 6 | 6B | 72 BPM | ||
| Zindagi Ek Dard Hai | Nitin Mukesh | C Major | 9 | 8B | 88 BPM | ||
| Woh Kehte Hain Ham Se (From "Dariya Dil") | Nitin Mukesh | B Minor | 7 | 10A | 105 BPM | ||
| Chham Chham Baje Re Payaliya | Manna Dey | A♭ Minor | 6 | 1A | 109 BPM | ||
| Aana Jana (Part II) - From "Geraftaar" | Bappi Lahiri | D♭ Major | 4 | 3B | 173 BPM | ||
| Dil Dhundta Hai Commentary - Gulzar | Bhupinder Singh, Gulzar | D Major | 3 | 10B | 85 BPM | ||
| Pital Ki Mori Gagri | Parveen Sultana, Minoo Purushottam | D Major | 4 | 10B | 80 BPM | ||
| Kismat Ki Jeb Mein | Mehmood | C Major | 4 | 8B | 109 BPM | ||
| Kabhie Kisi Ko Muqammal Jahan - Ahista Ahista / Soundtrack Version | Bhupinder Singh | A Major | 3 | 11B | 98 BPM | ||
| Teri Tasveer Ko | K. J. Yesudas | B Major | 4 | 1B | 125 BPM | ||
| Mor Bagiya Gujar Gaile Amava | Suman Kalyanpur, Shailendra | E♭ Major | 3 | 5B | 137 BPM | ||
| Salam-E-Hasrat Qubool Kar Lo | Sudha Malhotra | A Major | 1 | 11B | 182 BPM | ||
| Tumne Rakh To Lee Tasveer Hamari | Anuradha Paudwal, Pankaj Udhas | G Major | 8 | 9B | 86 BPM | ||
| Sindbad Dharti Azad Hai | Chitragupta, Mohammed Rafi | A♭ Minor | 4 | 1A | 74 BPM |