"Pecchè?" by Franco Corelli, Sinfonia Of London, Franco Ferraris had its release date on 1996. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 45 in the song's album "Neapolitan Songs, Sacred Songs & Arias". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. The popularity of Pecchè? is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pecchè? by Franco Corelli, Sinfonia Of London, Franco Ferraris having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Quando rapito in estasi (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
| La Gioconda / Act 3: Là turbini e farnetichi | Amilcare Ponchielli, Nicolai Ghiaurov, National Philharmonic Orchestra, Bruno Bartoletti | D♭ Major | 1 | 3B | 93 BPM | ||
| Werther: Ah! Non mi ridestar | Jules Massenet, Franco Corelli, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | G Major | 2 | 9B | 127 BPM | ||
| Adriana Lecouvreur: "Io son l'umile ancella" | Francesco Cilea, Montserrat Caballé, Gianfranco Masini | A♭ Major | 1 | 4B | 107 BPM | ||
| Verdi: Il trovatore, Act 3: "Di quella pira" (Manrico, Ruiz, Leonora, Chorus) | Giuseppe Verdi, Thomas Schippers, Angelo Mercuriali, Franco Corelli, Gabriella Tucci, Orchestra Del Teatro Dell'Opera Di Roma | C Major | 4 | 8B | 59 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
| Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
| Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | ||
| I Capuleti e i Montecchi / Act 1: "O, di Capellio generosi amici...L'amo tanto, e m'è sì cara" | Vincenzo Bellini, Juan Diego Flórez, Nicola Ulivieri, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | C Major | 2 | 8B | 138 BPM | ||
| Carmen, WD 31: La fleur que tu m'avais jetée | Georges Bizet, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | B Minor | 2 | 10A | 89 BPM | ||
| Adriana Lecouvreur: Erster Akt - Io son l'umile | Coro del Teatro San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Magda Olivero, Franco Corelli | B♭ Minor | 2 | 3A | 138 BPM | ||
| Core 'ngrato | Mario del Monaco | B♭ Minor | 2 | 3A | 138 BPM | ||
| Faust - Version 1860/1869 / Act 2: No.8 "Merci de ta chanson" | Charles Gounod, Robert Massard, Raymond Myers, Nicolai Ghiaurov, Margreta Elkins, Franco Corelli, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 136 BPM | ||
| Cavalleria rusticana: "Ah! lo vedi" (Duetto) | Pietro Mascagni, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Minor | 3 | 4A | 85 BPM | ||
| Cilea: L'Arlesiana: Lamento di Federico | Francesco Cilea, Andrea Bocelli, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | F Major | 1 | 7B | 81 BPM | ||
| Leoncavallo : Pagliacci : Act 1 "Recitar!" [Canio] | Ruggero Leoncavallo, José Cura, Philharmonia Orchestra | E Minor | 2 | 9A | 88 BPM | ||
| Parlami d'amore Mariù | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 87 BPM | ||
| Mascagni: Cavalleria rusticana: "O Lola ch'hai di latti la cammisa" (Turiddu) | Pietro Mascagni, Tullio Serafin, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 3 | 4B | 82 BPM | ||
| Manon Lescaut / Act 1: "Donna non vidi mai" | Giacomo Puccini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | E♭ Major | 3 | 5B | 90 BPM | ||
| Giordano: Andrea Chénier, Act 2: "Credo a una possanza arcana" (Chénier, Roucher) | Umberto Giordano, Franco Corelli, Coro del Teatro dell' Opera di Roma, Gabriele Santini, Giuseppe Modesti, Anna Di Stasio, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 2 | 2B | 60 BPM | ||
| Donizetti: Don Pasquale, Act 1: "Pronta io son, purch'io non manchi" (Norina, Malatesta) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Philharmonia Orchestra | C Major | 2 | 8B | 83 BPM | ||
| Bellini: I puritani: "A te, o cara, amor talora" (Arturo, Giorgio, Valton, Coro, Elvira) | Vincenzo Bellini, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Carmen, WD 31 (Excerpts): Act II: La fleur que tu m'avais jetée (Flower Song) | Georges Bizet, Herbert von Karajan, Franco Corelli, Wiener Philharmoniker | D♭ Major | 1 | 3B | 181 BPM | ||
| Torna A Surriento | Tito Schipa | F Major | 1 | 7B | 91 BPM |