"Suite Italienne: IV. Tarantella" by Matt Haimovitz, Christopher O'Riley had its release date on February 1, 2016. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Suite Italienne: IV. Tarantella's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Shuffle. Play. Listen.". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. The popularity of Suite Italienne: IV. Tarantella is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite Italienne: IV. Tarantella by Matt Haimovitz, Christopher O'Riley having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Melody | Sheku Kanneh-Mason | D Minor | 0 | 7A | 93 BPM | ||
| Cello concerto in D major, K. 285 d: III. Allegro | Wolfgang Amadeus Mozart, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne | E♭ Major | 1 | 5B | 121 BPM | ||
| Darkwood 1 | David Darling | F Minor | 0 | 4A | 172 BPM | ||
| Tenebrae (Version for String Quartet) | Osvaldo Golijov, Avalon String Quartet | C Major | 0 | 8B | 122 BPM | ||
| Apres Moi, Le Deluge/after Me, The Flood 2 | Luna Pearl Woolf, Matt Haimovitz | D Minor | 0 | 7A | 91 BPM | ||
| The Babbling | Christopher Hoffman | B Major | 1 | 1B | 126 BPM | ||
| Nocturne, Op. 19 No. 4 (Version for Cello & Orchestra) | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 59 BPM | ||
| Who by Fire (Arr. L.P. Woolf) | Leonard Cohen, Devon Guthrie, Nancy Anderson, Elise Quagliata, Matt Haimovitz | C Major | 1 | 8B | 142 BPM | ||
| Cello Concerto in B flat major, G 482: 2. Adagio non troppo | Luigi Boccherini, Matt Haimovitz, English Chamber Orchestra, Andrew Davis | G Major | 1 | 9B | 92 BPM | ||
| Song of the Birds | Pablo Casals, Sol Gabetta, Amsterdam Sinfonietta | D Major | 1 | 10B | 68 BPM | ||
| String Quartet No. 2: I. Desesperado | Hermes Luaces, Cuarteto Breton | A Major | 1 | 11B | 116 BPM | ||
| Birds In Warped Time II | Somei Satoh, Anne Akiko Meyers, Li Jian | B Minor | 0 | 10A | 135 BPM | ||
| Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
| Schwanengesang D. 957: No. 13, The Wraith - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | B Major | 0 | 1B | 140 BPM | ||
| Journey To Still Water Pond | Peter Scott Lewis | D Major | 1 | 10B | 77 BPM | ||
| Cello Concerto: II. Longing | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | F Major | 2 | 7B | 85 BPM | ||
| Amjad Sleeping Panorama | David Lang, Njo Kong Kie, Jennifer Thiessen, Jill Van Gee, Elisabeth Giroux | B♭ Minor | 7 | 3A | 105 BPM | ||
| Partita No. 2 for Solo Cello: Movement I | Philip Glass, Matt Haimovitz | G Major | 0 | 9B | 86 BPM | ||
| Empty Room (Arr. C. O'Riley for Cello & Piano) | Matt Haimovitz, Christopher O'Riley | G Major | 0 | 9B | 182 BPM | ||
| Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
| String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | B Major | 1 | 1B | 126 BPM | ||
| Memoria | Laura Masotto | G Minor | 1 | 6A | 112 BPM | ||
| From Jewish Life, B. 55: II. Supplication | Ernest Bloch, Sol Gabetta, Amsterdam Sinfonietta, Candida Thompson | E Major | 1 | 12B | 46 BPM | ||
| Mark Twain Sez: II. Humor | Matt Haimovitz | A♭ Major | 1 | 4B | 75 BPM | ||
| Angel Heart: Sleep, Sleep Little One (Arr. L.P. Woolf for Voice & Ensemble) | Anonymous, Sanford Sylvan, Matt Haimovitz, Uccello | E Minor | 1 | 9A | 143 BPM |