"Sarah & Karl Go Wrong" by Craig Armstrong had its release date on 2003. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Craig Armstrong's "Love Actually (Original Motion Picture Score)" album is number 19 out of 33. On top of that, United States appears to be the country where this track was created. Sarah & Karl Go Wrong is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sarah & Karl Go Wrong by Craig Armstrong to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| M6 I Puntata Tema the Garden of Innocence | Pino Donaggio | F♯ Major | 1 | 2B | 114 BPM | ||
| Footloose and Fancy Free | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | ||
| Farewell to Sanditon | Ruth Barrett, Jon Wygens, David Schweitzer | B Minor | 2 | 10A | 135 BPM | ||
| Boundless | Abel Korzeniowski | F♯ Major | 1 | 2B | 80 BPM | ||
| A Gift To The World | Tyler Strickland | A Major | 3 | 11B | 83 BPM | ||
| Theme from the Champ | Dave Grusin | C Major | 2 | 8B | 78 BPM | ||
| The Deer | William Ross | B Minor | 2 | 10A | 92 BPM | ||
| Goodbye Savannah | Deborah Lurie | A Minor | 0 | 8A | 97 BPM | ||
| The Julia and Henry Theme | Bear McCreary | A Major | 4 | 11B | 147 BPM | ||
| On The Bench | Craig Armstrong | E♭ Minor | 1 | 2A | 75 BPM | ||
| Skyline Date (From "Return to Me") | Nicholas Pike | F♯ Minor | 0 | 11A | 81 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| What's Your Dream? | Mark McKenzie | G Major | 1 | 9B | 93 BPM | ||
| Arpeggio Theme | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| I Have Been Here Before | Alex Heffes | A Minor | 2 | 8A | 79 BPM | ||
| Will Grows Up | William Ross | E♭ Major | 1 | 5B | 79 BPM | ||
| Overture | Aaron Zigman | A♭ Major | 1 | 4B | 103 BPM | ||
| Runaways (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E Major | 1 | 12B | 80 BPM | ||
| Ritas Success | Paolo Vivaldi | E♭ Major | 2 | 5B | 64 BPM | ||
| It's Too Late | Ruth Barrett, Jon Wygens, David Schweitzer | B Minor | 2 | 10A | 135 BPM | ||
| Roma - Versione 4 | Andrea Guerra | G Minor | 1 | 6A | 89 BPM | ||
| Making Moonlight | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| The Proposal | George Fenton | F Major | 0 | 7B | 65 BPM | ||
| The Space Boléro | Yoann Garel | C Major | 1 | 8B | 81 BPM |