The Rees Shad Band's ' "The Day They Took James Kennedy" was released on its scheduled release date, June 25, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "The Riggley Road Stories". In this album, this song's track order is #4. The popularity of The Day They Took James Kennedy is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Day They Took James Kennedy by The Rees Shad Band having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Borderline | Saturday Sun | G Major | 3 | 9B | 105 BPM | ||
| Pacing The Cage | Bruce Cockburn | E Major | 2 | 12B | 150 BPM | ||
| Down Here (feat. Rees Shad) | Fester Spunk, Rees Shad | A Major | 6 | 11B | 172 BPM | ||
| Black and White | Max Gomez | D Major | 4 | 10B | 82 BPM | ||
| I Am Not Waiting Anymore | Field Report | F Major | 3 | 7B | 81 BPM | ||
| I Don't Feel It Anymore (Song of the Sparrow) | William Fitzsimmons | C Major | 2 | 8B | 113 BPM | ||
| Writing On The Wall - Spotify Sessions / Curated By Jim Eno | Bear's Den | E Major | 6 | 12B | 132 BPM | ||
| The Long Halloween | Chris Autumn | D Major | 7 | 10B | 130 BPM | ||
| The Day They Took James Kennedy | The Rees Shad Band | G Major | 2 | 9B | 170 BPM | ||
| Glass Jar | Tristan Prettyman | C Major | 2 | 8B | 126 BPM | ||
| True Love Will Find You in the End | Richard Walters | C Major | 7 | 8B | 128 BPM | ||
| The Water | Fossil Collective | B♭ Major | 4 | 6B | 81 BPM | ||
| Slow It Down | TFDI | E Major | 1 | 12B | 153 BPM | ||
| Stay and Dance | Joe Pug | C Major | 3 | 8B | 93 BPM | ||
| The Galahad Blues | Rees Shad | C Major | 1 | 8B | 151 BPM | ||
| The Roses & the Wine (Solo Acoustic) | Rees Shad | F♯ Major | 1 | 2B | 147 BPM | ||
| White Apple | Blind Pilot | D Minor | 2 | 7A | 107 BPM | ||
| Making Pies | Craig Cardiff | E♭ Major | 4 | 5B | 79 BPM | ||
| Great Lakes | John Smith | E Major | 3 | 12B | 124 BPM | ||
| Shuffling in My Suit | Jaimi Faulkner | F Major | 3 | 7B | 99 BPM | ||
| Desdemona | The Alternate Routes, Patty Griffin | G Major | 3 | 9B | 138 BPM | ||
| It Started To Rain | Amos Lee | D♭ Minor | 2 | 12A | 124 BPM | ||
| Ocean Stone | Chris O'Brien | D Major | 2 | 10B | 107 BPM | ||
| Dead and Done | Bobby Long | C Major | 2 | 8B | 115 BPM | ||
| Brand New World | Noah Gundersen, Abby Gundersen, Michael Porter | E Major | 2 | 12B | 128 BPM |