Ashok Saraf, Anupama, Pradeep Bhide's ' "Jagu V Paavtyacha Vel" was released on its scheduled release date, October 27, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 11 in Chhan Chhan Goshti, Pt. 3 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Jagu V Paavtyacha Vel is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Jagu V Paavtyacha Vel by Ashok Saraf, Anupama, Pradeep Bhide is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maiya Ho Ganga Maiya | Sadhvi Purnima | F♯ Major | 4 | 2B | 179 BPM | ||
| Antrangi Rangalele | Mahesh Hiremath, Shubhangi Joshi | F♯ Major | 3 | 2B | 78 BPM | ||
| Mare Dwai Satguru Ji | Bhagat Ramniwas Ji | F Minor | 4 | 4A | 127 BPM | ||
| Parn Pachu Sawala | Vishnu Lohar | G Minor | 6 | 6A | 99 BPM | ||
| Aaji Rati | Zubeen Garg | C Minor | 4 | 5A | 81 BPM | ||
| Swami Samarth Naamacha | Ajit Kadkade | A Major | 7 | 11B | 116 BPM | ||
| Chimanila Sapdla Moti | Bhakti Barve Inaamdar, Pradeep Bhide | A♭ Major | 2 | 4B | 82 BPM | ||
| Parshuramachi Bhumi Svarn Nagari , Ahe Sonyachi Khan Mazi Ratnagiri | Tushar Pandere | E♭ Minor | 9 | 2A | 94 BPM | ||
| GAD NI AMBABAI | Ishwar Choudhary | C Minor | 5 | 5A | 148 BPM | ||
| Aadhi Puja Gurunath Chale Devavari Satta-Mauliche Smaran | Baba Maharaj Satarkar | D Major | 8 | 10B | 137 BPM | ||
| Nabi Aur Rasool Main Farq | Engineer Muhammad Ali Mirza | F Minor | 3 | 4A | 140 BPM | ||
| Uhiyal Qur'an | Ulinnuha | G Minor | 7 | 6A | 115 BPM | ||
| Kahan Soya Hai Chokidar (Live) | Imran Pratapgarhi | A Major | 4 | 11B | 138 BPM | ||
| Dattaguru Jay Duttaguru | Swapnil Bandodkar | D♭ Minor | 8 | 12A | 88 BPM | ||
| Atma Ka Aahar | Kumar Vishwas | E♭ Major | 8 | 5B | 88 BPM | ||
| Commentary Geetmala Ki Chhaon Mein Vol47 | Ameen Sayani, Jaidev | E♭ Major | 4 | 5B | 102 BPM | ||
| 03- Ram Katha | Swami Rajeshwaranand Saraswati Maharaj | C Major | 4 | 8B | 73 BPM | ||
| Sankhya Yoga Verse 25 | Shailendra Bharti | F♯ Major | 5 | 2B | 118 BPM | ||
| Murti Ya Vigraha | Kumar Vishwas | F♯ Minor | 4 | 11A | 171 BPM | ||
| 54. सूनी आँखों वाली औरत | Apurva Krishna | E♭ Major | 3 | 5B | 105 BPM | ||
| Hanuman Chalisha | Murari Bapu | D Major | 5 | 10B | 69 BPM | ||
| Itne Bade Bhagwan Dila De Makan | Prem Nath, Surendra, Mohammed Rafi | B Major | 4 | 1B | 104 BPM | ||
| Mil Mere Gobind | Sukhvinder | G Major | 1 | 9B | 107 BPM | ||
| Lambodarchi Moreshwarchi Amar Rahil Gatha | Sandeep More | B Minor | 7 | 10A | 88 BPM | ||
| Bolo Om Sai Sai | Rakesh Singh | C Major | 7 | 8B | 200 BPM |