"The Coachman's Terror: II. Stranded Amidst Swirling Snows" by Lydia Kakabadse, Sound Collective had its release date on February 17, 2017. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. The Coachman's Terror: II. Stranded Amidst Swirling Snows's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lydia Kakabadse, Sound Collective's "Lydia Kakabadse: Concertato" album is number 2 out of 20. On top of that, United Kingdom appears to be the country where this track was created. The Coachman's Terror: II. Stranded Amidst Swirling Snows is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Coachman's Terror: II. Stranded Amidst Swirling Snows by Lydia Kakabadse, Sound Collective to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phalanx Suite: Prolog | R.Kuhn, Rüdiger Edgar Kuhn | F Major | 2 | 7B | 96 BPM | ||
| Emily — No Prisoner Be: No. 13, "Hope" is the thing | Kevin Puts, Time For Three, Joyce DiDonato | D Minor | 1 | 7A | 109 BPM | ||
| Adagio pour violon et orgue | André Caplet, Chouchane Siranossian, François Saint-Yves | C Major | 1 | 8B | 53 BPM | ||
| Prelude in E Minor, Op.28 No. 4 | Frédéric Chopin, Ophélie Gaillard, Edna Stern | B Major | 1 | 1B | 100 BPM | ||
| Imploratio (Improvisation) | Jordi Savall, Xavier Puertas, Andrew Lawrence-King, Riccardo Minasi | G Minor | 0 | 6A | 132 BPM | ||
| Extasis (Improvisation) | Jordi Savall, Xavier Puertas, Riccardo Minasi, Andrew Lawrence-King | G Minor | 0 | 6A | 143 BPM | ||
| Souvenir de Spa, Op. 2: V. Andantino | Adrien François Servais, Sol Gabetta, Cappella Gabetta | D♭ Major | 1 | 3B | 172 BPM | ||
| Spectre of the Maiden Scorned: Foreboding | Lydia Kakabadse, Grace Durham, Stefan Kennedy, Alexander Walmsley, Kathryn Thomas Umble, Emily Pailthorpe, Sara Trickey, Sarah-Jane Bradley, Katherine Jenkinson, Ben Griffiths, Ben Fullbrook, Cambridge Clare College Alumni Choir, Graham Ross | C Major | 1 | 8B | 142 BPM | ||
| Sapphische Ode | Johannes Brahms, Jungin Huh | D Major | 1 | 10B | 74 BPM | ||
| Emily — No Prisoner Be: No. 10, I reason, Earth is short | Kevin Puts, Time For Three, Joyce DiDonato | D Minor | 1 | 7A | 109 BPM | ||
| Schwedische Weisen und Tänze, Op. 6 (Arr. for Nyckelharpa and Piano Trio by Trio Ernest and Éléonore Billy): No. 4, Allegro non troppo | Amanda Maier, Julius Röntgen, Trio Ernest, Éléonore Billy | D Major | 3 | 10B | 124 BPM | ||
| Couperin, L: Pavanne, G. 120 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 0 | 5B | 67 BPM | ||
| Cello Concerto in F Major: II. Lento | Marie Jaell, Raphaela Gromes, Deutsches Symphonie-Orchester Berlin, Anna Rakitina | C Major | 1 | 8B | 69 BPM | ||
| Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Odyssey: II. Classical | Lydia Kakabadse, Cecily Beer, The Choir of Royal Holloway, Rupert Gough | F Major | 1 | 7B | 86 BPM | ||
| Hit in the Middle | Tobias Hume, Labyrinto, Paolo Pandolfo | E Major | 0 | 12B | 101 BPM | ||
| Ouverture in E Minor: IV. Air (2) | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 1 | 7A | 84 BPM | ||
| Wandering Still | Era eScapes | F♯ Minor | 0 | 11A | 68 BPM | ||
| Recitativo arioso + Variations: II. Var. 1 | Lydia Kakabadse, Sound Collective | C Major | 0 | 8B | 89 BPM | ||
| Oriental Suite: I - Song Of The Aisors | G. I. Gurdjieff, Thomas de Hartmann, Metropole Orkest, The Little Orchestra | F Minor | 0 | 4A | 112 BPM | ||
| Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: IV. Menuett | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | A Major | 1 | 11B | 133 BPM | ||
| From Jewish Folk Poetry, Op. 79: X. The Young Girl's Song (Arr. for Cello and String Orchestra) | Dmitri Shostakovich, Sol Gabetta, Amsterdam Sinfonietta, Candida Thompson | G Minor | 1 | 6A | 156 BPM | ||
| Andante religioso, d'après un Thème hébraïque | Fernand Halphen, Christophe Pantillon, Wolfgang Sauseng | G Minor | 1 | 6A | 166 BPM | ||
| Tu mancavi a tormentarmi (Arr. Leopold Stokowski) | Antonio Cesti, Matthias Bamert, BBC Philharmonic | C Minor | 0 | 5A | 76 BPM | ||
| The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM |