Ralph Jones's 'Eternal Darkness' had a release date set for August 7, 2013. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 16 in A Disease Called Human by Ralph Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Eternal Darkness is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Eternal Darkness by Ralph Jones is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To Speed, to Love | Territory Love | E Minor | 6 | 9A | 88 BPM | ||
| St. Martin's Chateau | Wojciech Kilar | A♭ Minor | 3 | 1A | 62 BPM | ||
| The Man From The Alarm Company | Jason Hill | C Major | 1 | 8B | 127 BPM | ||
| Nancy Glen | Charles Bernstein | C Minor | 6 | 5A | 122 BPM | ||
| Unreal Sounds - Alternative Version | Fabio Frizzi | C Major | 7 | 8B | 171 BPM | ||
| Freddy's Funeral | David Holmes, Brian Irvine | F Major | 3 | 7B | 128 BPM | ||
| The Message / Main Theme | George Fenton | D Major | 2 | 10B | 95 BPM | ||
| 神采-シンサイ-「オランピアソワレCatharsis」より | カプリチオ・プロジェクト | F Major | 4 | 7B | 183 BPM | ||
| Ante La Mirada | Universos Terrenales | A Minor | 1 | 8A | 82 BPM | ||
| Insequi | Mark Snow | D♭ Major | 9 | 3B | 160 BPM | ||
| Fireflies (Original) | Hermanos Ferrando | B♭ Minor | 8 | 3A | 120 BPM | ||
| The Neighborhood | Douglas Pipes | D♭ Major | 2 | 3B | 92 BPM | ||
| Ambush | Daniel L.K. Caldwell | C Major | 1 | 8B | 88 BPM | ||
| No Trespassing | Adam Wingard | D♭ Major | 1 | 3B | 125 BPM | ||
| The Crate | John Harrison | A Major | 3 | 11B | 147 BPM | ||
| High Street Spasm | Cavern of Anti-Matter | B♭ Minor | 4 | 3A | 108 BPM | ||
| Nectaric Variations | Adam Rudolph, Ralph Jones | D♭ Major | 1 | 3B | 99 BPM | ||
| The Autopsy | Giorgio Moroder | C Major | 0 | 8B | 81 BPM | ||
| Not Tonight, I've Got a Headache | Harry Manfredini | C Major | 1 | 8B | 143 BPM | ||
| Crostown | James Barth | A Major | 1 | 11B | 70 BPM | ||
| Tiempos Mas Comodos | Mutua Admiración | F Minor | 2 | 4A | 129 BPM | ||
| Theme from Friday the 13th, Pt. 3 | Michael Zager, Harry Manfredini | F Major | 7 | 7B | 126 BPM | ||
| Father's Day | John Harrison | C Major | 2 | 8B | 128 BPM | ||
| Headlights - Main Title | Mark Isham | B♭ Minor | 1 | 3A | 123 BPM | ||
| Final Search | Charles Bernstein | D Major | 3 | 10B | 67 BPM |