On November 1, 2010, the song "Bagatelles: III." was released by George Nicholson, Janey Miller, Joby Burgess. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Bagatelles: III.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 13 in Frozen Rivers Flows - New Noise by Janey Miller, Joby Burgess. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bagatelles: III. is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bagatelles: III. by George Nicholson, Janey Miller, Joby Burgess is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aria | Euchar Gravina, Stefan Calleja, London Symphony Orchestra, Miran Vaupotić | D♭ Major | 2 | 3B | 180 BPM | ||
| Bella By Barlight | John Lurie | A♭ Major | 0 | 4B | 77 BPM | ||
| North Country Sketches: 1. Autumn | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | C Major | 0 | 8B | 112 BPM | ||
| III. White Man Sleeps | Kevin Volans, Kronos Quartet | G Major | 0 | 9B | 172 BPM | ||
| The Known End | Kris Davis | D♭ Major | 2 | 3B | 180 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | D♭ Major | 2 | 3B | 180 BPM | ||
| Berceuse sur le nom de Gabriel Fauré, M. 74 | Maurice Ravel, Cédric Tiberghien, Alina Ibragimova | C Major | 0 | 8B | 187 BPM | ||
| Klavierstück V, Work No. 4: Klavierstuck V, Work No. 4 | Karlheinz Stockhausen, Fredrik Ullén | D♭ Major | 0 | 3B | 95 BPM | ||
| Advertisement | Henry Cowell | G Major | 5 | 9B | 113 BPM | ||
| Castillo Interior: Adagio | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Wieniawski: Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Preghiera | Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa | A Major | 0 | 11B | 65 BPM | ||
| Light Moving | David Lang, Hilary Hahn, Cory Smythe | E Minor | 1 | 9A | 102 BPM | ||
| Maktah (berceuse phoque) (Chants de la jungle no.2) | Maurice Delage, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse | E♭ Major | 0 | 5B | 128 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Symphony No. 2: III | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| Tandem: I. Con freschezze | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | D♭ Minor | 1 | 12A | 116 BPM | ||
| String Quartet in F Major, 2nd Movement | Maurice Ravel, vision string quartet | D♭ Major | 2 | 3B | 180 BPM | ||
| El Amor brujo: Quadre Segon: Danza y cancíon de la bruja fingida | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | F Major | 0 | 7B | 94 BPM | ||
| Cello Concerto No. 2 in G Major, Op. 126: II. Scherzo. Allegretto – | Dmitri Shostakovich, Yo-Yo Ma, Boston Symphony Orchestra, Andris Nelsons | G Major | 2 | 9B | 106 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 1 | John Cage, Boris Berman | D Minor | 0 | 7A | 127 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Lyric Suite: I. Allegretto gioviale | Alban Berg, Leonkoro Quartet | G Minor | 1 | 6A | 81 BPM | ||
| Quodlibet | John Cage, Kronos Quartet | F Major | 0 | 7B | 64 BPM | ||
| Hommage á Richard Strauss for Clarinet Solo | Béla Kovács | F Minor | 0 | 4A | 109 BPM |