- BPM
- 86
- Key
- B♭ Minor
- Camelot
- 3A
24 caprices en formes d'etudes: No. 14 in E-Flat Minor by Pierre Rode, Axel Strauss Song Details
Pierre Rode, Axel Strauss's '24 caprices en formes d'etudes: No. 14 in E-Flat Minor' had a release date set for December 15, 2009. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Rode, P.: 24 Caprices for Solo Violin". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Hong Kong. 24 caprices en formes d'etudes: No. 14 in E-Flat Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With 24 caprices en formes d'etudes: No. 14 in E-Flat Minor by Pierre Rode, Axel Strauss having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -22.006 dB
- Acousticness
- 99%
- Danceability
- 27%
- Energy
- 9%
- Instrumentalness
- 87%
- Liveness
- 10%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 35%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto in B minor for Double-bass and Orchestra: 1. Allegro moderato | Giovanni Bottesini, Odon Racz, Franz Liszt Chamber Orchestra | G Major | 1 | 9B | 92 BPM | |
 | Viotti: Violin Concerto No. 22 in A Minor: III. Agitato assai | Giovanni Battista Viotti, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 104 BPM | |
 | Violin Sonata No. 1 in G Minor, BWV 1001: I. Adagio | Johann Sebastian Bach, Ilya Kaler | G Minor | 0 | 6A | 87 BPM | |
 | Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | |
 | Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": IV. Presto | Franz Schubert, Quatuor Arod | D♭ Major | 1 | 3B | 149 BPM | |
 | Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro non troppo | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo-Filharmonien | B♭ Minor | 3 | 3A | 129 BPM | |
 | Ernst: Grand Caprice on "Der Erlkönig", Op. 26 (After Schubert) [Arr. Ernst] | Heinrich Wilhelm Ernst, Vadim Repin | G Minor | 3 | 6A | 127 BPM | |
 | 24 caprices en formes d'etudes: No. 17 in A-Flat Major | Pierre Rode, Axel Strauss | C Major | 1 | 8B | 112 BPM | |
 | The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale | Heinrich Wilhelm Ernst, Ning Feng | G Major | 1 | 9B | 115 BPM | |
 | 6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | |
 | Sonata No. 5 in E Minor, RV 40: III. Largo | Ashima Scripp, Eleanor Perrone | E Minor | 1 | 9A | 80 BPM | |
 | Sonata for Solo Violin in D Major, Op. 115: II. Theme & Variations | Sergei Prokofiev, Tianwa Yang | B♭ Major | 0 | 6B | 92 BPM | |
 | 24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Elizabeth Wallfisch | E Major | 1 | 12B | 128 BPM | |
 | Konzert für Violine und Orchester e-moll op.64: I. Allegro Molto Appassionato - | Frank Peter Zimmermann, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht | D Minor | 2 | 7A | 138 BPM | |
 | Gavotte No. 2 in D Major, Op. 23 | David Popper, János Starker, Shigeo Neriki | D Major | 1 | 10B | 89 BPM | |
 | Rieding: Violin Concerto in B Minor, Op. 35: III. Allegro moderato | Oskar Rieding, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | B Minor | 1 | 10A | 145 BPM | |
 | Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | |
| 24 caprices en formes d'etudes: No. 4 in E Minor | Pierre Rode, Axel Strauss | E Minor | 2 | 9A | 128 BPM | |
 | Wieniawski: 8 Etudes-Caprices, Op. 18: No. 1 in G Minor | Henryk Wieniawski, Itzhak Perlman, Pinchas Zukerman | G Minor | 1 | 6A | 79 BPM | |
 | Viola Concerto in D Major: II. Adagio | Franz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber Orchestra | D Minor | 0 | 7A | 175 BPM | |
 | Violin Concerto No. 5 in D Major, Op. 7: III. Rondo à la russe | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | C Major | 2 | 8B | 104 BPM | |
 | Duet for Violin & Cello in F Major, Op. 6 No. 2: I. Andante | Franz Anton Hoffmeister, John Mills, Bozidar Vukotic | A Minor | 1 | 8A | 144 BPM | |
| 24 caprices en formes d'etudes: No. 5 in D Major | Pierre Rode, Axel Strauss | D Major | 1 | 10B | 93 BPM | |
 | Viola Concerto in G Minor: I. Appassionato - Moderato | Cecil Forsyth, Philharmonie Baden-Baden, Hartmut Rohde, Pavel Baleff | G Minor | 1 | 6A | 104 BPM | |
 | Sonata in G Minor: II. Courante: Allegro con spirito | Henry Eccles, Takako Nishizaki, Terence Dennis | G Major | 2 | 9B | 124 BPM |
- ISRC
- HKI190888914
- Label
- L-M Records/RCA Records