Anonymous, Joachim Held's ' "Volte" was released on its scheduled release date, January 1, 2000. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Volte's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joachim Held's "Lute Music Of The Renaissance From The Schele Manuscript 1619" album is number 1 out of 19. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Volte's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Volte by Anonymous, Joachim Held to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Fidler's Contemt | Rory Dall O'Cathain, Baltimore Consort | F Major | 0 | 7B | 73 BPM | ||
| German Lute Song Wie Mocht Ich Frohlich Werden | Andrei Krylov | E♭ Minor | 2 | 2A | 132 BPM | ||
| Ecco la primavera | Jessica Baran-Surel, Francesco Landini | C Major | 6 | 8B | 180 BPM | ||
| Manuscrit Vaudry de Saizenay: Chaconne | Nicolas Hotman, Les Kapsber'girls | B Major | 0 | 1B | 130 BPM | ||
| The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
| Suite in D Minor: V. Les derniers paroles | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Triste plaisirs | Gilles Binchois, Into the Winds | F Minor | 0 | 4A | 66 BPM | ||
| Flow My Tears Goodbye My Love | Andrei Krylov | A♭ Minor | 2 | 1A | 155 BPM | ||
| Beeyto foi o dia, CSM 411, Alfonso X el Sabio (Revealing Visions) | The Wandering Bard | D♭ Major | 2 | 3B | 139 BPM | ||
| Dansereye (1551): Passe e medio/ Reprise 'Le Pingue' | Tylman Susato, New London Consort, Philip Pickett | D Minor | 1 | 7A | 170 BPM | ||
| Mudarra : Glosa sobre un Kyrie postrero | Heringman | C Minor | 0 | 5A | 96 BPM | ||
| O'Carolan's Dream | Turlough O'Carolan, Aryeh Frankfurter | A Minor | 0 | 8A | 77 BPM | ||
| Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
| La Vecchia Pavan | John Johnson, Lynda Sayce, Matthew Spring | B♭ Major | 0 | 6B | 80 BPM | ||
| Irish Dance | Andrei Krylov | E♭ Minor | 2 | 2A | 144 BPM | ||
| Methodical Sonata No. 1 in G Minor, TWV 41:g3: III. Grave - Transposed up to C Minor for Alto Recorder | Georg Philipp Telemann, João Francisco Távora, Helder Sousa, Xurxo Varela | D Major | 1 | 10B | 93 BPM | ||
| Lute Sonata No. 6: I. Alemanda | Giovanni Zamboni, Luciano Còntini | B♭ Major | 1 | 6B | 141 BPM | ||
| Suite in A Major: VI. Canaries | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Preambel No. 4, IHN 34 | Hans Neusidler, Stephan Hrushka | F Minor | 0 | 4A | 168 BPM | ||
| Canto I, Fortuna innamorata: Recercata XII | Francesco da Milano, Xavier Diaz-Latorre | D Minor | 0 | 7A | 85 BPM | ||
| Recercada primera, quarta, ottava | Diego Oritz, Margaret Little, Sylvain Bergeron | A♭ Major | 1 | 4B | 81 BPM | ||
| Lullay, lullay (14th Century): Lullay, lullay [English, 14th Century] | Anonymous, Alamire, David Skinner | D Minor | 1 | 7A | 86 BPM | ||
| Terpsichore*: Ballet du Roy | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 1 | 6A | 98 BPM | ||
| Instrumental Fancy | Anonymous, Musica Reservata, Michael Morrow | D Minor | 0 | 7A | 99 BPM | ||
| Sonata No. 103 in B-Flat Major: II. Allemande | Silvius Leopold Weiss, Evangelina Mascardi | A Major | 1 | 11B | 141 BPM |