On January 18, 1993, the song "Mukhiya Gawa Mein" was released by Tara Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 8 in Bol Na Kadejau by Tara Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Mukhiya Gawa Mein is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Mukhiya Gawa Mein by Tara Rani is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jagaun Madh Jot | Narayan Dan Ratanu, Shankar Dan Jesavat | C Minor | 5 | 5A | 160 BPM | ||
| Dekh Kar Ram Ji Ko | Pawan Singh | B♭ Minor | 8 | 3A | 77 BPM | ||
| Kripa Kar De Maa Kripa Kar De Maa | Narendra Chanchal | D♭ Major | 7 | 3B | 85 BPM | ||
| Ha Ta Gaadi Ba, Fail Kaili Tata Safari | MANOJ TIWARI | D♭ Minor | 6 | 12A | 166 BPM | ||
| Sherowali Ki Jai Bolo | Lakhbir Singh Lakkha | F♯ Minor | 10 | 11A | 146 BPM | ||
| Arey Logo Tumhara Kya | Abida Parveen | F Minor | 8 | 4A | 110 BPM | ||
| Sodun De Daruchi Vait Chal | Vijay Sartape | A♭ Major | 8 | 4B | 173 BPM | ||
| Jag Wala Mela | Kumaar | E♭ Major | 8 | 5B | 92 BPM | ||
| Hum To Chuppe Kaini | Tara Rani | A♭ Major | 10 | 4B | 174 BPM | ||
| Bule Aabe Re Bhnbra | Alka Chandrakar | F Major | 10 | 7B | 130 BPM | ||
| Ek Baar Awo Ji Jawai Ji Pawna | Mamta Singh | F♯ Major | 7 | 2B | 108 BPM | ||
| Buddhach He Ghar | Milind Shinde | A♭ Major | 4 | 4B | 92 BPM | ||
| Dudhacha Math Futla Kasa | Suryakant Shide | E Major | 8 | 12B | 62 BPM | ||
| Prem Laga Ke Tu Kaahe Bhool | Tara Rani | D♭ Major | 6 | 3B | 122 BPM | ||
| Naar Chadh Gayee | Surinder Shinda, Harneet Neetu, Gulshan Komal | C Major | 9 | 8B | 170 BPM | ||
| Thai To Sacha Ho Tap Dhari | Moinuddin Manchala | F♯ Major | 9 | 2B | 96 BPM | ||
| Jai Ho Haridwar Mein Bum Bum | Ram Kumar Lakkha | B Major | 8 | 1B | 100 BPM | ||
| Ye To Bata To Barsane Wali | Bhaiya Krishan Das Ji | F♯ Major | 8 | 2B | 142 BPM | ||
| Maiya Mori Dulri | Bharat Sharma Vyas | E♭ Major | 7 | 5B | 109 BPM | ||
| Sasurar Goriya Sasurar Goriya | Bharat Sharma Vyas | E♭ Major | 5 | 5B | 82 BPM | ||
| Neek Rahal Mor Ghar Ke Kheti | Madan Rai | B Minor | 5 | 10A | 108 BPM | ||
| Poliyopoli (From “Pallavur Devanarayanan”) | Gireesh Puthenchery, Raveendran, Mammootty | F♯ Major | 6 | 2B | 100 BPM | ||
| Monkhan Wisre e Nathi | Rajab Faqeer | E♭ Major | 6 | 5B | 120 BPM | ||
| Jinagi Ha Anmol Ratan | Radhe Shyam Rasiya | C Major | 10 | 8B | 90 BPM | ||
| Tareyan Di Loye Loye | Amar Singh Chamkila, Amarjot | F♯ Minor | 10 | 11A | 102 BPM |