Ohio Light Opera's 'The Mikado: Act Two: Dialogue: "My poor boy"' had a release date set for November 1, 2008. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 37 in the song's album "The Mikado". In this album, this song's track order is #7. The Mikado: Act Two: Dialogue: "My poor boy" is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Mikado: Act Two: Dialogue: "My poor boy" by Ohio Light Opera having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vi ravviso, luoghi ameni (La Sonnambula) | Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana | A♭ Major | 4 | 4B | 86 BPM | ||
| An | RECUERDO | G Minor | 2 | 6A | 80 BPM | ||
| Monte Carmelo: "Habanera" | Federico Romero, Guillermo Fdez. Shaw, Federico Moreno Torroba, Pepita Rollán, Gran Orquest Sinfónica del Teatro Calderón de Madrid | E♭ Major | 4 | 5B | 172 BPM | ||
| H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
| Bellini: I puritani: "All’erta!" (Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Songs of Travel: The Vagabond | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | B♭ Minor | 1 | 3A | 107 BPM | ||
| Dóminus pascit me (salmo 22) | Orfeón de Miravalles | D Minor | 1 | 7A | 138 BPM | ||
| No Supimos Amarnos | LOS TRAMPOSOS DEL NORTE | F Major | 8 | 7B | 121 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Strauss II, J: La chauve-souris, Act 2: Couplets. "Versez-nous le champagne" (Orlofsky, Arlette, Gaillardin, Chœur) | Johann Strauss II, Franck Pourcel, Choeurs Rene Duclos, Jacques Pruvost, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
| Candide, Act I (Remastered): It Must be So - 2017 Remastered Version | Leonard Bernstein, Robert Rounseville, Candide Orchestra, Samuel Krachmalnick | A Minor | 1 | 8A | 112 BPM | ||
| Hativkah | London Festival Orchestra, The London Festival Chorus, Stanley Black | E Minor | 2 | 9A | 80 BPM | ||
| Danza, Danza, Fanciulla Gentile | Chai-lun Yueh | G Minor | 4 | 6A | 137 BPM | ||
| Puccini: Tosca, Act 3: "O dolci mani mansuete e pure" (Cavaradossi, Tosca) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | C Major | 1 | 8B | 69 BPM | ||
| Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
| Ya Vas Lyubil | Dmitri Hvorostovsky | G Major | 1 | 9B | 85 BPM | ||
| Carmen / Act 1: "La cloche a sonné" | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | G Major | 1 | 9B | 98 BPM | ||
| Careless With the Truth | Debbie Gravitte | B♭ Major | 1 | 6B | 105 BPM | ||
| Il barcaiolo | Gaetano Donizetti, Cecilia Bartoli, James Levine | D♭ Major | 1 | 3B | 99 BPM | ||
| La Chulapona: "Ay, Madrleña Chulapa!" | Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal | C Major | 3 | 8B | 118 BPM | ||
| Rossini: Petite messe solennelle: III. Credo, 2. Crucifixus (Soprano). Andantino sostenuto | Gioachino Rossini, Antonio Pappano | D Minor | 0 | 7A | 88 BPM | ||
| Faure: Claire de Lune | Gérard Souzay | B♭ Minor | 1 | 3A | 71 BPM | ||
| Neujahrsgruß / New Year's Address / Allocution du Nouvel An | Not Applicable, Wiener Philharmoniker, Yannick Nézet-Séguin | G Minor | 2 | 6A | 80 BPM | ||
| H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM | ||
| O Isis und Osiris (Die Zauberflöte) | Gottlob Frick, Berliner Symphoniker | F Major | 2 | 7B | 86 BPM |