"White Room & Main Title" by Jesper Kyd had its release date on April 20, 2004. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Jesper Kyd's "Hitman: Contracts (Original Soundtrack)" album is number 1 out of 13. In terms of popularity, White Room & Main Title is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of White Room & Main Title by Jesper Kyd to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ashes to Ashes, Dusk to Dusk | Andrew Hulshult | F Minor | 6 | 4A | 160 BPM | ||
| Intriguing Possibilities | Trent Reznor and Atticus Ross | D Major | 4 | 10B | 133 BPM | ||
| 405.9 Jump Drive | Mac Quayle | D Major | 7 | 10B | 130 BPM | ||
| Resident Evil - Main Title | Dr. Hoffman | D Major | 5 | 10B | 148 BPM | ||
| Guerrilla Tactics | Hans Zimmer | D Major | 7 | 10B | 140 BPM | ||
| Disturbed and Twisted | Rik Schaffer | D Major | 2 | 10B | 77 BPM | ||
| Orbital | Hildur Guðnadóttir, Sam Slater | D♭ Major | 6 | 3B | 110 BPM | ||
| Bass Attack | Sonic Mayhem | B♭ Minor | 7 | 3A | 170 BPM | ||
| Theme From Battery | Amon Tobin | C Major | 4 | 8B | 130 BPM | ||
| Anvil - Remix | Sean Murray | D Major | 5 | 10B | 105 BPM | ||
| Fascia SF | Lance Hayes | F♯ Minor | 4 | 11A | 118 BPM | ||
| Geoscape | Adam Schneider | E Minor | 3 | 9A | 125 BPM | ||
| 2.8_2-ph4se.vox | Mac Quayle | B♭ Minor | 2 | 3A | 96 BPM | ||
| Car Go Fast | Ludvig Forssell | E Minor | 7 | 9A | 110 BPM | ||
| Callista | Zero Volume | D♭ Major | 7 | 3B | 100 BPM | ||
| Bad Judges | Paul Leonard-Morgan | G Major | 5 | 9B | 95 BPM | ||
| Extraction Action | Paul Leonard-Morgan | A Major | 4 | 11B | 120 BPM | ||
| Midnight Shadow | Harry Gregson-Williams | F♯ Major | 4 | 2B | 180 BPM | ||
| White Room & Main Title | Jesper Kyd | D Major | 5 | 10B | 114 BPM | ||
| Into the Tunnels | Matt Piersall | G Major | 9 | 9B | 128 BPM | ||
| The Hunter's Path | Marcin Przybyłowicz | G Minor | 4 | 6A | 180 BPM | ||
| Fighting off the Skags | Raison Varner | G Major | 8 | 9B | 140 BPM | ||
| Sanctuary 3 | Michael McCann | F♯ Minor | 5 | 11A | 160 BPM | ||
| Osaka Castle | Atticus Ross, Leopold Ross, Nick Chuba | A Major | 5 | 11B | 70 BPM | ||
| Frankenstein's Monster | Henry Jackman | A♭ Major | 3 | 4B | 68 BPM |