- BPM
- 136
- Key
- G Minor
- Camelot
- 6A
The Three Ravens: 3. How Should I My True Love Know? by John Harle, Sarah Leonard, Alexander Balanescu, John Harle Band Song Details
John Harle, Sarah Leonard, Alexander Balanescu, John Harle Band's ' "The Three Ravens: 3. How Should I My True Love Know?" was released on its scheduled release date, August 12, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Harle, Elvis Costello, Sarah Leonard, Andy Sheppard's "Harle: Terror and Magnificence" album is number 8 out of 10. Based on our statistics, The Three Ravens: 3. How Should I My True Love Know?'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
We consider the tempo marking of The Three Ravens: 3. How Should I My True Love Know? by John Harle, Sarah Leonard, Alexander Balanescu, John Harle Band to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -14.502 dB
- Acousticness
- 95%
- Danceability
- 46%
- Energy
- 32%
- Instrumentalness
- 96%
- Liveness
- 45%
- Loudness
- 76%
- Speechiness
- 3%
- Valence
- 53%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Façades | Christopher Warren-Green, London Chamber Orchestra, John Harle, Simon Haram | B♭ Major | 1 | 6B | 84 BPM | |
 | Pavane, Op. 50 (Arr. for Saxophone and Orchestra) | Amy Dickson, Gabriel Fauré, London Session Orchestra, Chris Walden | F♯ Minor | 1 | 11A | 117 BPM | |
 | Madama Butterfly, Act II: Humming Chorus | Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | B♭ Major | 0 | 6B | 73 BPM | |
 | Ab Ovo (Arr. by Knoth) | Signum Saxophone Quartet | A Minor | 0 | 8A | 67 BPM | |
 | 49th Parallel Suite: Prelude | RTE Concert Orchestra, Ralph Vaughan Williams | G Major | 1 | 9B | 87 BPM | |
 | Agnus Dei, Op. 11/2 (Vocal Version of Adagio for Strings) | Samuel Barber, Polyphony, Stephen Layton | C Major | 0 | 8B | 78 BPM | |
 | Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | |
 | Silencium (Main Theme from Silent Witness) Composed by John Harle | John Harle, Yuqiao | A Minor | 0 | 8A | 88 BPM | |
 | Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | |
 | Senza Mamma Suor Angelica | Barrington Pheloung | A Minor | 2 | 8A | 95 BPM | |
 | Fljótavík | Georg Holm, Jon Thor Birgisson, Kjartan Sveinsson, Orri Pall Dyrason, 12 Ensemble | A♭ Major | 1 | 4B | 85 BPM | |
 | Spiegel im Spiegel | Arvo Pärt, Lisa Batiashvili, Hélène Grimaud | F Major | 0 | 7B | 75 BPM | |
 | Summa | Arvo Pärt, English Chamber Orchestra, Nigel Short | G Minor | 0 | 6A | 100 BPM | |
 | The Moon | William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | |
 | Hunting the Hare | John Harle, Andy Sheppard, Steve Lodder | C Major | 1 | 8B | 73 BPM | |
 | And the Swallow (Arr. J. Azkoul for String Orchestra) | Joanna Marsh, United Strings of Europe, Julian Azkoul | B Minor | 0 | 10A | 146 BPM | |
 | Violin Concerto: II. - | Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa | C Minor | 1 | 5A | 82 BPM | |
 | Concerto for Soprano Saxophone: Part III - Tranquillo | Stanley Myers, John Harle, Argo Symphony Orchestra, James Judd | D Major | 1 | 10B | 69 BPM | |
 | Musica serena | Pēteris Vasks, Munich Radio Orchestra, Ivan Repušić | A Minor | 0 | 8A | 65 BPM | |
 | Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | |
 | Cantata Memoria: Cortège | Karl Jenkins, Bryn Terfel, Côr Heol y March, Cor Y Cwm, Cywair, Cor Caerdydd, Cf1, David Childs, Catrin Finch, Jody Jenkins, Sinfonia Cymru | B♭ Minor | 3 | 3A | 96 BPM | |
 | Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | |
 | Evergreen | John Harle, Roger Jackson | G Major | 2 | 9B | 81 BPM | |
 | Glazunov: Saxophone Concerto in E-Flat Major, Op. 109: III. Allegro | Alexander Glazunov, John Harle, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 2 | 8A | 132 BPM | |
 | Concerto for Alto Saxophone: III. Rondo alla marcia. Allegro brioso | Ingolf Dahl, John Harle, New World Symphony, Michael Tilson Thomas | B♭ Major | 2 | 6B | 137 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records