"Toussaint Before the Spirits: "The Way Is Open."" by Elena Ruehr, Madison Smartt Bell, Elizabeth Spires, Alison Buchanan, Gil Rose, Boston Modern Orchestra Project had its release date on 2006. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 18 in Elena Ruehr: Toussaint Before the Spirits by Elizabeth Spires, Madison Smartt Bell, Elena Ruehr, Boston Modern Orchestra Project, Gil Rose. Toussaint Before the Spirits: "The Way Is Open." is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Toussaint Before the Spirits: "The Way Is Open." by Elena Ruehr, Madison Smartt Bell, Elizabeth Spires, Alison Buchanan, Gil Rose, Boston Modern Orchestra Project is Lento (slowly), since this song has a tempo of 52 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude, Op. 25 | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Minor | 1 | 4A | 58 BPM | ||
| 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
| Luminosity: VII. All Shall be Well | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | D Major | 0 | 10B | 94 BPM | ||
| Platti: Cello Sonata No. 7 in D Major, I. 84: III. Largho | Giovanni Benedetto Platti, Abel Selaocoe, Elizabeth Kenny, Fred Thomas, Kadialy Kouyate | F♯ Minor | 0 | 11A | 84 BPM | ||
| 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | ||
| Songs from Dolores's Songbook: No. 7, Azure (Version for Strings) | Tõnu Kõrvits, Estonian National Symphony Orchestra, Risto Joost | B Major | 0 | 1B | 80 BPM | ||
| Violin Concerto No. 1: II. Crotchet = c. 108 | Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | C Minor | 0 | 5A | 86 BPM | ||
| Company: I. - | Philip Glass, Ulster Orchestra, Takuo Yuasa | F Major | 0 | 7B | 103 BPM | ||
| Road Movies: III. 40% Swing | John Adams | E Minor | 3 | 9A | 135 BPM | ||
| No. 4, Prairie Night (Card Game at Night) | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 8 | 10B | 89 BPM | ||
| Piano Trio: I. Pale Yellow | Jennifer Higdon, Anne Akiko Meyers, Alisa Weilerstein, Adam Neiman | A Major | 0 | 11B | 127 BPM | ||
| Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM | ||
| Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| Spiral, for Violin, Piano and Strings: I. First Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman, Royal Philharmonic Orchestra | A Major | 5 | 11B | 110 BPM | ||
| Suite from "The Hours" - Movement II | Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra | F Minor | 4 | 4A | 155 BPM | ||
| String Quartet No. 5 "Bel Canto": IV. The Accompanist Dies | Elena Ruehr, Cypress String Quartet | F Major | 1 | 7B | 85 BPM | ||
| Toussaint Before the Spirits: "The White Men Took My Eye In Battle" | Elena Ruehr, Madison Smartt Bell, Elizabeth Spires, Ramone Diggs, Stephen Salters, Alison Buchanan, Gil Rose, Boston Modern Orchestra Project | C Major | 3 | 8B | 86 BPM | ||
| Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | ||
| Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 85 BPM | ||
| Strum | Jessie Montgomery, Catalyst Quartet | A Major | 2 | 11B | 110 BPM | ||
| The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Daniel Harding, Bavarian Radio Symphony Orchestra | C Minor | 2 | 5A | 89 BPM | ||
| String Quartet No. 1 "See the grass is full of stars": II. Meditation | Sophia Jani, Kontai Ensemble | A♭ Major | 1 | 4B | 69 BPM | ||
| String Quartet No. 5 "Bel Canto": VI. Gen Translates for Roxanne | Elena Ruehr, Cypress String Quartet | F Major | 1 | 7B | 144 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM |