Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra's ' "Suite from "The Hours" - Movement II" was released on its scheduled release date, April 8, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra's "Glass: Symphony No. 3 & "The Hours" Suite" album is number 2 out of 7. On top of that, United States appears to be the country where this track was created. Based on our statistics, Suite from "The Hours" - Movement II's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Suite from "The Hours" - Movement II by Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Esja | Hania Rani | E Minor | 1 | 9A | 144 BPM | ||
| Not All Men | Hildur Guðnadóttir | F Major | 2 | 7B | 73 BPM | ||
| Spiderwebs of Clouds | Olivia Belli | G Minor | 1 | 6A | 76 BPM | ||
| Evening of Roses (Arr. Hodge for Cello, Clarinet and Ensemble) | Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos | B♭ Major | 2 | 6B | 103 BPM | ||
| With Everything That Breathes | Greg Haines | C Minor | 0 | 5A | 77 BPM | ||
| Seduction | Balanescu Quartet | A Minor | 1 | 8A | 87 BPM | ||
| Study In Rituals, Pt. 1 | Uno Helmersson, Mari Samuelsen, Hakon Samuelsen, TrondheimSolistene, Jesper Söderqvist | G Minor | 1 | 6A | 96 BPM | ||
| Then | Melodyan | B Major | 0 | 1B | 65 BPM | ||
| Valencia | Caroline Shaw, Attacca Quartet | F Major | 1 | 7B | 137 BPM | ||
| Akhnaten: Act I, Scene 3: Window of Appearances | Philip Glass, Dennis Russell Davies | A Minor | 2 | 8A | 129 BPM | ||
| Quintett N.1 | Dustin O'Halloran | C Major | 0 | 8B | 50 BPM | ||
| Daguerréotype: 2 Juliette - acoustic instrumental | Olivia Belli | D Major | 0 | 10B | 79 BPM | ||
| A Place We Once Walked | Roger Eno, Scoring Berlin | C Major | 0 | 8B | 72 BPM | ||
| IV. Space | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Laurie Anderson, Ashok Klouda | E Major | 1 | 12B | 109 BPM | ||
| Water Theme No.3 | Hanan Townshend | D Minor | 1 | 7A | 131 BPM | ||
| Opus 23 | Dustin O'Halloran | F♯ Major | 1 | 2B | 101 BPM | ||
| Spiegel im Spiegel for Violin and Piano | Arvo Pärt, Vadim Gluzman, Angela Yoffe | B♭ Major | 0 | 6B | 93 BPM | ||
| Pan | Luke Howard | A Major | 1 | 11B | 89 BPM | ||
| Plan & Elevation: I. The Ellipse | Caroline Shaw, Attacca Quartet | D Minor | 0 | 7A | 73 BPM | ||
| Vladimir Martynov: The Beatitudes | Vladimir Martynov, Kronos Quartet | B♭ Major | 1 | 6B | 90 BPM | ||
| Through the Wild | TEABREA | B♭ Major | 2 | 6B | 65 BPM | ||
| Moon Drifting 4 (After Beethoven) | Olivia Belli, Enrico Belli | B Major | 2 | 1B | 74 BPM | ||
| Fyrsta | Ólafur Arnalds | C Minor | 1 | 5A | 134 BPM | ||
| Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) | Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester Berlin | A Minor | 1 | 8A | 82 BPM | ||
| The Middle of the World | Nicholas Britell | G Minor | 3 | 6A | 64 BPM |