- BPM
- 58
- Key
- F Minor
- Camelot
- 4A
Prelude, Op. 25 by Gerald Finzi, Aurora Orchestra, Nicholas Collon Song Details
"Prelude, Op. 25" by Gerald Finzi, Aurora Orchestra, Nicholas Collon had its release date on January 15, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gerald Finzi, Aurora Orchestra, Nicholas Collon's "Introit: The Music of Gerald Finzi" album is number 11 out of 19. On top of that, United Kingdom appears to be the country where this track was created. Prelude, Op. 25 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Prelude, Op. 25 by Gerald Finzi, Aurora Orchestra, Nicholas Collon to be Lento (slowly) because the track has a tempo of 58 BPM, a half-time of 29BPM, and a double-time of 116 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 12%
- Loudness
- -24.139 dB
- Acousticness
- 92%
- Danceability
- 7%
- Energy
- 8%
- Instrumentalness
- 86%
- Liveness
- 12%
- Loudness
- 60%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pavane pour une infante défunte, M. 19 (Orchestral Version) | Maurice Ravel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 0 | 9B | 142 BPM | |
 | Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | |
 | Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | |
 | Simple Symphony, Op. 4: Playful Pizzacato | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | C Major | 1 | 8B | 129 BPM | |
 | Pavane pour une infante défunte | Maurice Ravel, Richard Sebring, Boston Pops Orchestra, John Williams | G Major | 1 | 9B | 93 BPM | |
 | A Moorside Suite: II. Nocturne (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | A Minor | 0 | 8A | 57 BPM | |
 | Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | |
 | Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | |
 | 5 Preludes: No. 4, Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 76 BPM | |
 | Kinderszenen, Op. 15: No. 7. Träumerei (arr. K. Smith for flute and piano) | Robert Schumann, Kenneth Smith, Paul Rhodes | F Major | 0 | 7B | 78 BPM | |
 | L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | |
 | Appalachian Spring Suite: I. Very Slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | |
 | Lonely Waters, R. 28 | Ernest John Moeran, Vernon Handley, Ulster Orchestra | F♯ Major | 0 | 2B | 80 BPM | |
 | Delius: On Hearing the First Cuckoo in Spring | Frederick Delius, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 81 BPM | |
 | Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 82 BPM | |
 | Karelia Suite, Op. 11: II. Ballade. Tempo di menuetto | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Minor | 1 | 8A | 59 BPM | |
 | Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | |
 | Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 66 BPM | |
 | Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | |
 | Ravel: Ma mère l'Oye, M. 60: II. Petit Poucet | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Minor | 0 | 5A | 124 BPM | |
 | A Shropshire Lad - Rhapsody | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 95 BPM | |
 | Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | |
 | Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, London Chamber Orchestra, Christopher Warren-Green | E Major | 1 | 12B | 82 BPM | |
| Ravel: Ma mère l'oye, M. 60: IV. Les entretiens de la Belle et de la Bête | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 95 BPM | |
 | Sonata for Flute and Piano (Orchestrated by Sir Lennox Berkeley): I. Allegro malinconico - Remastered | Francis Poulenc, James Galway, Charles Dutoit | C Major | 1 | 8B | 84 BPM |
- ISRC
- GBF071503770
- Label
- L-M Records/RCA Records