On September 6, 2008, the song "Aevi Karva Kasoti Hari" was released by Rohini Patel. This song appears to be safe for all ages as it is not explicit. Because this song is the only song in Jalaram Satsang and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Aevi Karva Kasoti Hari is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Aevi Karva Kasoti Hari by Rohini Patel to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hai Ye Pawan Bhoomi | Trupti Chhaya | C Major | 5 | 8B | 92 BPM | ||
| Nana Sarkha Shreenathji | Dr. Dipali Bhatt, Sachin Limaye, Foram Maheta | F♯ Major | 1 | 2B | 82 BPM | ||
| Aaj Mara Mandiriya Ma (feat. Priti Mandalia) | Paras Borkhatria, Priti Mandalia | F Minor | 6 | 4A | 90 BPM | ||
| Charno mein jaga mangi thi | Brahma Kumaris | F♯ Major | 4 | 2B | 110 BPM | ||
| Gopal Maro Paaraniye Jhule Re | Asif Jeriya, Ami Joshi | F Major | 5 | 7B | 143 BPM | ||
| Vande Shiv Stuti | Niranjan Pandya | F Minor | 1 | 4A | 85 BPM | ||
| Mero to Adhar Shri Vallabh Ke Charnavind | Ami Joshi, Asif Jeriya | F♯ Major | 4 | 2B | 105 BPM | ||
| Kin shabdon main Aapka | Brahma Kumaris | C Major | 3 | 8B | 96 BPM | ||
| WAKE AMBODE SHRINATHJI | Nidhi Dholkiya | C Minor | 6 | 5A | 106 BPM | ||
| Bankey Bihari Jai Ho | Mridul Krishan Shastri | A♭ Major | 6 | 4B | 79 BPM | ||
| Ghani Khamma Ghani Khamma | Asif Jeriya | C Major | 4 | 8B | 126 BPM | ||
| Vijline Chamkare Motida Parovo | Lalita Ghodadra | G Minor | 6 | 6A | 99 BPM | ||
| Bhakti Premavina Dnyan Nako Deva | Rekha Manvatkar, Abhang Bhaktigeet | D♭ Major | 6 | 3B | 132 BPM | ||
| Girirajashtakam | Lalita Ghodadra | F Major | 4 | 7B | 118 BPM | ||
| Kala Re Kala Mara | Master Rana | B Minor | 6 | 10A | 164 BPM | ||
| Rangai Jane Rang Ma | Rohini Patel | F♯ Minor | 7 | 11A | 99 BPM | ||
| O Barsane Wali | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A Major | 8 | 11B | 111 BPM | ||
| Tu Mane Bhagwan Ek Vardan Aapi De | Nikita Waghela | F Minor | 1 | 4A | 95 BPM | ||
| Mara Sahajanand sujan | Sagar Fadke | A♭ Major | 5 | 4B | 141 BPM | ||
| Sawariya Hai Seth Mhari Radha Ji | Niranjan Sarda, Pushpa Banerjee | A Major | 7 | 11B | 141 BPM | ||
| Radhe Radhe Mann Bole | Vikram Hazra | C Minor | 4 | 5A | 101 BPM | ||
| Akshar Na Vachi | Harikrishna Patel | F Major | 5 | 7B | 79 BPM | ||
| Aatlo Sandesho Mara Gurujine | Hari Bharwad | B♭ Minor | 5 | 3A | 181 BPM | ||
| Sidhdhi Vinayak Ki Aarti | Roli Prakash | C Major | 5 | 8B | 80 BPM | ||
| Samro Mantra Bhalo Navkar | Manhar Udhas | D♭ Major | 5 | 3B | 125 BPM |