- BPM
- 59
- Key
- C Major
- Camelot
- 8B
No. 3, Mexican Dance & Finale by Aaron Copland, Colorado Symphony, Andrew Litton Song Details
"No. 3, Mexican Dance & Finale" by Aaron Copland, Colorado Symphony, Andrew Litton had its release date on January 1, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 18 in Copland: Billy the Kid, Rodeo, El Salón México & An Outdoor Overture by Aaron Copland, Colorado Symphony, Andrew Litton. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. No. 3, Mexican Dance & Finale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of No. 3, Mexican Dance & Finale by Aaron Copland, Colorado Symphony, Andrew Litton is Lento (slowly), since this song has a tempo of 59 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 12%
- Loudness
- -24.528 dB
- Acousticness
- 93%
- Danceability
- 18%
- Energy
- 2%
- Instrumentalness
- 63%
- Liveness
- 24%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | |
 | A Fugal Concerto, Op. 40, No. 2: III. Allegro | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | A♭ Minor | 2 | 1A | 95 BPM | |
 | Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 2, Tropical Noon | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | A Major | 1 | 11B | 134 BPM | |
 | Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | |
 | Symphony No. 4, Op. 29 "The Inextinguishable": IV. Allegro | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | E Major | 3 | 12B | 104 BPM | |
 | Symphony No. 4 in D Minor: II. Andante cantabile | Florence Beatrice Price, Fort Smith Symphony, John Jeter | C Minor | 1 | 5A | 132 BPM | |
 | Romeo and Juliet Suite No. 2, Op. 64ter: II. Juliet as a Young Girl | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | C Major | 0 | 8B | 154 BPM | |
 | Symphony No. 1 in F Minor, Op. 10: IV. Allegro molto - Lento - Allegro molto - Presto | Dmitri Shostakovich, Michael Sanderling, Dresdner Philharmonie | B♭ Major | 1 | 6B | 142 BPM | |
 | Dream Children, Op. 43, No. 1 | Edward Elgar, Adelaide Symphony Orchestra, Ron Spigelman | E♭ Major | 0 | 5B | 71 BPM | |
 | Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | |
 | Marche Caprice | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | C Major | 1 | 8B | 124 BPM | |
 | Falla: El sombrero de tres picos, Pt. 2: Danza final | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 0 | 6B | 108 BPM | |
 | Sibelius: Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | |
 | Ma mère l'oye, M. 60 (Version for Orchestra): I. Pavane de la belle au bois dormant | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | C Major | 0 | 8B | 72 BPM | |
 | Lincolnshire Posy: VI. The Lost Lady Found | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | |
 | Wood Notes: II. Autumn Night: Lightly | William Grant Still, Fort Smith Symphony, John Jeter | D Minor | 0 | 7A | 65 BPM | |
 | Symphony No. 1, "Afro-american": Iii. Humor (Animato) | William Grant Still, Fort Smith Symphony | A♭ Major | 2 | 4B | 127 BPM | |
 | Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | |
 | Gayaneh: Gayaneh's Adagio | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 0 | 4B | 82 BPM | |
 | Brian: Comedy Overture No. 2 "The Tinker's Wedding" | Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | B♭ Major | 0 | 6B | 108 BPM | |
 | Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | |
 | Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | |
 | Sinfonia: II. Transit | Zhou Tian, J. Eric Wilson, Baylor University Wind Ensemble | G Minor | 3 | 6A | 142 BPM | |
 | Lullaby for string orchestra | George Gershwin, The Cleveland Orchestra, Riccardo Chailly | G Major | 0 | 9B | 94 BPM | |
 | Gayane Suite No. 1: III. Armen's Solo | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 0 | 9B | 87 BPM |
- ISRC
- SEAEW1564040
- Label
- L-M Records/RCA Records