"Macbeth, Act IV: Pietà, rispetto, amore" by Giuseppe Verdi, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado had its release date on April 28, 2023. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 71 out of 278 in Abbado A-Z: Verdi by Giuseppe Verdi, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Macbeth, Act IV: Pietà, rispetto, amore is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Macbeth, Act IV: Pietà, rispetto, amore by Giuseppe Verdi, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
| Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM | ||
| Il Trovatore / Act 1: "Tacea la notte" - "Quanto narrasti di turbamento" | Giuseppe Verdi, Joan Sutherland, Norma Burrowes, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 165 BPM | ||
| Lucia di Lammermoor / Act 1: Ancor non giunse! | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 5 | 7B | 79 BPM | ||
| La Cenerentola / Act 2: "Sì, ritrovarla io giuro" | Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
| Gounod: Faust, Act 3: "Quel trouble inconnu me pénètre !" - Cavatine. "Salut ! Demeure chaste et pure" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!" | Giuseppe Verdi, Rolando Villazón, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi | C Major | 2 | 8B | 84 BPM | ||
| Puccini: Turandot, Act 1: "Popolo di Pekino!" (Mandarino, Coro, Liù) | Giacomo Puccini, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Elisabeth Schwarzkopf, Giulio Mauri, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 2 | 2B | 78 BPM | ||
| La Gioconda / Act 2: Pescator, affonda l'esca | Amilcare Ponchielli, Sherrill Milnes, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | C Minor | 2 | 5A | 92 BPM | ||
| La traviata, Act I: Libiamo ne lieti calici | Giuseppe Verdi, Marta Torbidoni, Michail Michailov, Anton Keremidtchiev, Elisabetta Lombardi, Emilia Kircheva, Alexander Baranov, Orfey Petrov, Nikola Ivanov, Peter Petrov, Sofia Philharmonic Orchestra, Ljubka Biagioni | B♭ Major | 1 | 6B | 104 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| Il barbiere di Siviglia, Act I: No. 6, Aria. La calunnia è un venticello | Gioachino Rossini, Ruggero Raimondi, Chamber Orchestra of Europe, Claudio Abbado | F Major | 1 | 7B | 128 BPM | ||
| Donizetti: Lucia di Lammermoor, Act III: Bridal Chorus. "D'immenso giubilo" | Gaetano Donizetti, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 131 BPM | ||
| Solenne in quest'ora (La forza del destino) | Jussi Björling, RCA Victor Orchestra, Robert Merrill | F Major | 2 | 7B | 80 BPM | ||
| Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 2: "My soul is sad" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Anatoly Kotcherga | G Minor | 0 | 6A | 89 BPM | ||
| Die Walküre, WWV 86B, Act I: Winterstürme wichen dem Wonnemond "Siegmund's Love Aria" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
| Pagliacci / Prologue: "Si può? Signore! Signori!" | Ruggero Leoncavallo, Juan Pons, Philadelphia Orchestra, Riccardo Muti | D♭ Major | 1 | 3B | 75 BPM | ||
| Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
| Puccini: La bohème, Act 4: "Vecchia zimarra, senti" (Colline/Schaunard) | Giacomo Puccini, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | D♭ Minor | 1 | 12A | 85 BPM | ||
| Otello / Act 1: Già nella notte densa (Love Duet) | Giuseppe Verdi, Plácido Domingo, Cheryl Studer, Orchestre de l'Opéra Bastille, Myung-Whun Chung | C Major | 1 | 8B | 175 BPM | ||
| La Cenerentola / Act 1: "Ah! se velata ancor...Sprezzo quei don...Parlar, pensar" | Gioachino Rossini, Cecilia Bartoli, William Matteuzzi, Alessandro Corbelli, Fernanda Costa, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B Minor | 3 | 10A | 70 BPM | ||
| Cavalleria rusticana: Introduzione | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | C Major | 3 | 8B | 166 BPM | ||
| Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| Carmen, WD 31, Act II: La fleur que tu m'avais jetée | Georges Bizet, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | E♭ Major | 3 | 5B | 96 BPM |