Fragments from a Woman's Diary: XVII. Passionate Interlude by Ruth Schönthal, Gary Steigerwalt Song Details

"Fragments from a Woman's Diary: XVII. Passionate Interlude" by Ruth Schönthal, Gary Steigerwalt had its release date on January 1, 2003. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Fragments from a Woman's Diary: XVII. Passionate Interlude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Schonthal, R.: Piano Music". In this album, this song's track order is #43. Furthermore, we believe that the track originated from United States. Fragments from a Woman's Diary: XVII. Passionate Interlude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Fragments from a Woman's Diary: XVII. Passionate Interlude by Ruth Schönthal, Gary Steigerwalt having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

Music Key

This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -22.287 dB
Acousticness: 99%
Danceability: 27%
Energy: 11%
Instrumentalness: 90%
Liveness: 11%
Loudness: 63%
Speechiness: 4%
Valence: 5%

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